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Materials & Techniques brown ink

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Materials & Techniques scratching out

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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre architectural subject

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Search Results

1. Stoke Poges Church

Stoke Poges Church
Creator:
John Constable, 1776–1837
Date:
1834
Materials & Techniques:
Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Holy Island Cathedral

Holy Island Cathedral
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint printed in brown ink, with graphite and scratching out Engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. High Street, Edinburgh

High Street, Edinburgh
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818
Materials & Techniques:
Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Castello Malespina Appennines

Castello Malespina Appennines
Creator:
Isaac Weld, 1774–1856
Date:
1819
Materials & Techniques:
Pen and brown ink, brown wash, gum arabic, graphite, gouache, and scratching out on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. West Side of Ludlow Castle

West Side of Ludlow Castle
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 5/8 × 29 1/8 inches (54.9 × 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Former Winter Capital of Bhutan at Punakha Dzong

The Former Winter Capital of Bhutan at Punakha Dzong
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 20 1/8 × 29 3/4 inches (51.1 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Palace of the Deib Rajan at Tassisudon

The Palace of the Deib Rajan at Tassisudon
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 20 1/8 × 30 1/4 inches (51.1 × 76.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
Creator:
Albert Goodwin, 1845–1932
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Long Gallery, Haddon Hall, Derbyshire

The Long Gallery, Haddon Hall, Derbyshire
Creator:
Joseph Nash, 1808–1878
Date:
1839
Materials & Techniques:
Watercolor, gouache, pen and brown ink, graphite, and scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Porch, Reims Cathedral

The Porch, Reims Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1840
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hotel de Ville, Hague

Hotel de Ville, Hague
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1859
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Cottage, Mount Tamana

The Cottage, Mount Tamana
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Clare College, Cambridge

Clare College, Cambridge
Creator:
George-Haydock Dodgson, 1811–1880
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and scratching out on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 3/8 × 16 3/16 inches (26.4 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Prague

Prague
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1847
Materials & Techniques:
Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 15/16 inches (38.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Abbey Mill, Knaresborough

The Abbey Mill, Knaresborough
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Ouse Bridge, York

Ouse Bridge, York
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:
Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Longleat from Park Hill

Longleat from Park Hill
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink, brown ink, black ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 13 5/8 × 17 1/8 inches (34.6 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Group Seated in Grounds of a Large House

Group Seated in Grounds of a Large House
Creator:
David Cox Jr., 1809–1885
Date:
between 1840 and 1849
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 15/16in. (26.7 x 40.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Erlestoke, Wiltshire, England

No cover image available
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor, with pen and brown ink, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 13 9/16 inches (18.3 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection