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Materials & Techniques brown ink

Remove constraint Materials & Techniques: brown ink

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Period 19th century

Remove constraint Period: 19th century

Image Available Available

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Work Type watercolor

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Search Results

Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
George Jones Portentous Things
George Jones, 1786–1869
Portentous Things
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
John Frederick Lewis Tyrolese Hunters
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
Sir John Everett Millais The Dying Man
Sir John Everett Millais, 1829–1896
The Dying Man
ca. 1853
Alfred William Hunt Tynemouth Pier - Lighting the Lamps at Sundown
Alfred William Hunt, 1830–1896
Tynemouth Pier - Lighting the Lamps at Sundown
1868
William Turner of Oxford Scene near Shipton on Cherwell, Oxfordshire
William Turner of Oxford, 1789–1862
Scene near Shipton on Cherwell, Oxfordshire
1835
George Price Boyce A Road Near Bettws-y-Coed
George Price Boyce, 1826–1897
A Road Near Bettws-y-Coed
1851
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
Sir David Wilkie Captain Leigh and His Dragoman
Sir David Wilkie, 1785–1841
Captain Leigh and His Dragoman
1840 or 1841
Augustus William Reeve In the Channel
Augustus William Reeve, active 1831–1888
In the Channel
undated
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
Florence Claxton Art Critics
Florence Claxton, active 1855–1889
Art Critics
undated
James Smetham Cutting Reviews
James Smetham, 1821–1889
Cutting Reviews
undated
Florence Claxton L'Allegro
Florence Claxton, active 1855–1889
L'Allegro
undated
James Smetham The Country Artist
James Smetham, 1821–1889
The Country Artist
undated
Alphonse Legros In the Skirts of the Forest
Alphonse Legros, 1837–1911
In the Skirts of the Forest
1880
Sir John Everett Millais Awful Protection Against Midges
Sir John Everett Millais, 1829–1896
Awful Protection Against Midges
1853
David Cox Landscape with a Man Washing His Feet at a Fountain, after Poussin
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
John Ruskin The Rocky Bank of a River
John Ruskin, 1819–1900
The Rocky Bank of a River
ca. 1853
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
David Cox Windermere During the Regatta
David Cox, 1783–1859
Windermere During the Regatta
1832
George Richmond The Sower
George Richmond, 1809–1896
The Sower
1830
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Arthur Fripp Nant Francon, North Wales
George Arthur Fripp, 1813–1896
Nant Francon, North Wales
1862
George Franklin Piazza Salone, Padua
George Franklin, active 1825–1845
Piazza Salone, Padua
1836