Materials & Techniques: chine collé / On-site Access: Accessible by appointment in the Study Room / Date: 1819

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Materials & Techniques chine collé

On-site Access Accessible by appointment in the Study Room

Date 1819

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

1819-1826

Print made by George Cooke, 1781–1834

Critchton Castle

1819

Print made by Samuel William Reynolds, 1773–1835

Mary Countess Harcourt

ca. 1824

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by George Cooke, 1781–1834

Naples, from the Mole

1819

Print made by Henry Moses, ca. 1782–1870

Mr. Fawkes Gallery

1819-1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1819-1826

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

Print made by James C. Allen, active 1821–1831

Dunwich

1819-1826

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by James C. Allen, active 1821–1831

Aldborough

1819-1826

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