Materials & Techniques: etching (printing process) / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Genre: architectural subject / Subject Terms: abbey

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Materials & Techniques etching (printing process)

Author ss after Joseph Mallord William Turner, 1775–1851, British

Genre architectural subject

Subject Terms abbey

Etched by Joseph Mallord William Turner, 1775–1851

Dumblain Abbey, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851

Dumblain Abbey, Scotland

1816

Print made by John Horsburgh, 1791–1869

Dunfermline

1836

Print made by John Horsburgh, 1791–1869

Dunfermline

1836

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by William Miller, 1796–1882

New Abbey, Near Dumfries

1834

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by John Horsburgh, 1791–1869

Dunfermline

1836

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by William Miller, 1796–1882

New Abbey, near Dumfries (Vignette Title)

1834

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