Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 18th century / Genre: landscape / Image Use: Free to Use / Subject Terms: women / Classification: Prints

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 18th century

Genre landscape

Image Use Free to Use

Subject Terms women

Classification Prints

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by Agostino Brunias, 1728–1796

The Barbadoes Mulatto Girl

1779

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by William Sharp, 1749–1824

Niobe

1792

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

William Byrne, 1743–1805

Carnarvon Castle

1775

Print made by James Caldwall, 1739–1819

Hagley Hall

undated