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1. Study of a Pilgrim

Study of a Pilgrim
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 1, Frontispiece

Jerusalem, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 47, "From Camberwell to Highgate...."

Jerusalem, Plate 47, "From Camberwell to Highgate...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 2, Title Page

Jerusalem, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Jerusalem, Plate 84, "Highgates heights & Hampstead...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 59, "And formed into Four precious stones...."

Jerusalem, Plate 59, "And formed into Four precious stones...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Design for a Fan

Design for a Fan
Creator:
Angelica Kauffmann, 1741–1807
Date:
1775
Materials & Techniques:
Watercolor, gouache and gold over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 21 inches (17.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Portrait of a Gentleman

Portrait of a Gentleman
Creator:
unknown artist
Date:
1666
Materials & Techniques:
Gouache and gold on vellum
Dimensions:
Sheet: 2 3/8 x 2 inches (6 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Portrait of a man, probably Sir George Carew (ca.1504-1545)

Portrait of a man, probably Sir George Carew (ca.1504-1545)
Creator:
Attributed to Hans Holbein the Younger, ca. 1497–1543
Date:
ca. 1540
Materials & Techniques:
Gouache and gold on thin card
Dimensions:
Sheet: 1 13/16 inches (4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Dudley North, third Baron North (1581-1666)

Dudley North, third Baron North (1581-1666)
Creator:
Isaac Oliver, ca. 1565–1617
Date:
ca. 1609
Materials & Techniques:
Gouache and gold on vellum laid onto card
Dimensions:
Sheet: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Portrait of a Young Man

Portrait of a Young Man
Creator:
John Smart, 1741–1811
Date:
undated
Materials & Techniques:
Gouache, watercolor and gold on ivory
Dimensions:
Image: 1 1/2 x 1 1/4 inches (3.8 x 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Design for an Elizabethan Style House

Design for an Elizabethan Style House
Creator:
Charles James Richardson, 1806–1871
Date:
c.1840-1860
Materials & Techniques:
Watercolor, gouache, graphite and gold on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A Young Daughter of the Picts

A Young Daughter of the Picts
Creator:
Jacques Le Moyne de Morgues, ca. 1533–before 1588
Date:
ca. 1585
Materials & Techniques:
Watercolor and gouache, touched with gold on parchment
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Head of a Young Girl turned toward the Left

Head of a Young Girl turned toward the Left
Creator:
Print made by Louis Marin Bonnet, 1736–1793
Date:
1774
Materials & Techniques:
Crayon manner and stipple engraving, colored, heightened with gold on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 16 3/16 x 11 5/8 inches (41.1 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Woman Taking Coffee

The Woman Taking Coffee
Creator:
Print made by Louis Marin Bonnet, 1736–1793
Date:
ca. 1774
Materials & Techniques:
Crayon manner, colored, heightened with gold on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 9 13/16 inches (31.8 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Choice of Paris, an Idyll

The Choice of Paris, an Idyll
Creator:
Florence Claxton, active 1855–1889
Date:
1860
Materials & Techniques:
watercolor heightened with gold paint over graphite
Dimensions:
Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

27. View of a Park with Deer

View of a Park with Deer
Creator:
William Byron, fourth Baron Byron, 1669–1736
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and gold on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 1/2 × 16 1/16 inches (31.8 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Charles Stuart, third Duke of Richmond and sixth Duke of Lennox

Charles Stuart, third Duke of Richmond and sixth Duke of Lennox
Creator:
Samuel Cooper, 1609–1672
Date:
between 1661 and 1667
Materials & Techniques:
Watercolor and gouache with gold on parchment laid down on card
Dimensions:
Sheet: 2 3/4 x 2 1/4 inches (7 x 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Frieze in Winchester Cathedral

Frieze in Winchester Cathedral
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor heightened with gold on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 4 5/8 inches (10.5 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. King Edward IV

King Edward IV
Creator:
Bernard Lens III, 1682–1740
Date:
1732
Materials & Techniques:
Watercolor and gold on vellum
Dimensions:
Sheet: 2 x 2 inches (5.1 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

32. Portrait of a Lady

Portrait of a Lady
Creator:
Jean Clouet, ca. 1485–1540/41
Date:
ca. 1530
Materials & Techniques:
Watercolor and gouache and gold on vellum
Dimensions:
Sheet: 1 5/8 x 1 5/8 inches (4.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. James I of England and VI of Scotland

James I of England and VI of Scotland
Creator:
Nicholas Hilliard, ca. 1547–1619
Date:
ca. 1610
Materials & Techniques:
Watercolor, gouache and gold, pen and black ink on vellum
Dimensions:
Sheet: 2 5/8 x 2 1/8 inches (6.7 x 5.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset

Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset
Creator:
Workshop of Nicholas Hilliard, ca. 1547–1619
Date:
undated
Materials & Techniques:
Watercolor, bodycolor, gold and silver on vellum mounted on playing card
Dimensions:
Overall: 4 5/16 × 3 9/16 inches (11 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. tms:57746

No cover image available
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Red leather binding with gold print on Very thick and heavy, rough, red, and marbled, leather and cardboard book binding
Dimensions:
Cover: 13 1/16 × 17 1/2 inches (33.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection