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Materials & Techniques laid paper

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Work Type intaglio print

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Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
Lydia Bates Little Missenden Church from the Southeast
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
Johann Jacobus Haid L'Amoureuse
Print made by Johann Jacobus Haid, 1704–1767
L'Amoureuse
undated
Charles Howard Hodges Guardian Angels
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
Franz Carl Heissig La petite marchande de carpe
Print made by Franz Carl Heissig, active 1770
La petite marchande de carpe
ca. 1775
Thomas Bowles The Admiralty Office
Print made by Thomas Bowles, ca. 1712–died 1753
The Admiralty Office
1731
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
Pierre Charles Canot Marine Study No. 4
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
unknown artist The South Sea House
Print made by unknown artist
The South Sea House
between 1720 and 1728
Pierre Charles Canot Marine Study No. 1
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822