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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
18
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
16
Miller, William, 1796–1882
4
Willmore, James Tibbits, 1800–1863
4
Brandard, Robert, 1805–1862
3
Varrall, J. C., active 1815–1827
2
Beattie, Lucas, active 1835–1838
1
Fisher, S., active 1831–1844
1
Landseer, Edwin Henry, Sir, 1802–1873
1
Porter, John, active 1838
1
Robinson, John Henry, 1796–1871
1
Smith, William R., active 1819–1851
1
Wallis, Robert, 1794–1878
1
Date
1834
219
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1630
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1803
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18
1838
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18
1837
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1805
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1700
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1762
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1795
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1824
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1933
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1945
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1983
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1560
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1692
1
On-site Access
Accessible by appointment in the Study Room
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18
Image Use
Free to Use
18
Image Available
Available
17
Unavailable
1
Classification
Prints
18
Creator Gender
male
18
Collective Title
Picturesque Views in England and Wales
5
Period
19th century
18
Materials & Techniques
line engraving
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18
wove paper
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18
etching (printing process)
6
chine collé
3
hand coloring
1
mezzotint
1
Height [cm]
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16
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65
Unknown
9
Width [cm]
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Current results range from
24
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95
Unknown
9
Work Type
intaglio print
18
Genre
landscape
15
marine art
8
architectural subject
2
animal art
1
cityscape
1
genre subject
1
portrait
1
Subject Terms
river
9
landscape (representation)
6
marine art
4
landscape (environment)
3
tower (single built work)
2
agronomy
1
animal art
1
architectural subject
1
canal
1
church
1
cityscape
1
ewe (animal)
1
farming
1
husbandry
1
obesity
1
science
1
Associated Places
Germany
8
Rhine
8
Rhineland Palatinate
5
Filsen
3
Neuwied
3
Osterspai
3
Weissenthurm
3
Italy
2
Oberwesel
2
Ochsenturm
2
Grand Canal
1
Lazio
1
Nemi, Lago di
1
Santa Maria della Salute
1
St Mark's Campanile
1
Venice
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
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Materials & Techniques
line engraving
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Materials & Techniques
wove paper
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On-site Access
Accessible by appointment in the Study Room
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Date
1838
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1
John Henry Robinson, 1796–1871
The Mantilla
1838
2
Print made by Robert Wallis, 1794–1878
Nemi
1838-1852
3
Print made by James Tibbits Willmore, 1800–1863
Fetcham Park
1838-1852
4
Print made by William Miller, 1796–1882
The Rhine - Osterspey and Feltzen
1838-1852
5
Print made by J. C. Varrall, active 1815–1827
Rochester, Stroud and Chatham
1838
6
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace
1838
7
Print made by S. Fisher, active 1831–1844
Mount St. Michael, Cornwall
1838
8
Print made by J. C. Varrall, active 1815–1827
Rochester, Stroud and Chatham
1838
9
Print made by William Miller, 1796–1882
The Grand Canal, Venice
1838
10
Print made by James Tibbits Willmore, 1800–1863
Oberwesel
1838-1854
11
Print made by Robert Brandard, 1805–1862
The Rhine - Neuwied and Weissenthurm
1838-1854
12
Print made by William Miller, 1796–1882
The Rhine - Osterspey and Feltzen
1838-1854
13
Print made by James Tibbits Willmore, 1800–1863
Oberwesel
1838-1852
14
Print made by Robert Brandard, 1805–1862
The Rhine - Neuwied and Weissenthurm
1838-1852
15
Print made by William Miller, 1796–1882
The Rhine - Osterspey and Feltzen
1838-1852
16
Print made by Robert Brandard, 1805–1862
The Rhine - Neuwied and Weissenthurm
1838-1852
17
Print made by John Porter, active 1838
The Chillington Oxen
1838
18
Print made by W. R. Smith, active 1819–1851
Chain Bridge over the River Tees
1838