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Materials & Techniques pen

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre landscape

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Associated Places United Kingdom

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Subject Terms buildings

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1. An Unfinished View of the West Gate, Canterbury

An Unfinished View of the West Gate, Canterbury
Creator:
Paul Sandby, 1731–1809
Date:
between 1780 and 1785
Materials & Techniques:
Pen and brown ink and oil on paper laid down on panel
Dimensions:
17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. A View of Core's Library, Dawlish, Devon

A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View from the Round Tower, Windsor Castle

View from the Round Tower, Windsor Castle
Creator:
William Daniell, 1769–1837
Date:
1827
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 20 5/16 inches (31.3 × 51.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Perspective View: the New Houses of Parliament

Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Headland on the Coast of South Devon, Possibly Shaldon

Headland on the Coast of South Devon, Possibly Shaldon
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 17 7/16 inches (31.3 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Beach Scene

Beach Scene
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Admiralty Building from Whitehall

The Admiralty Building from Whitehall
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1782
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
Creator:
Attributed to Thomas Baker of Leamington, 1809–1864
Date:
1848
Materials & Techniques:
Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Admiral Christian's and Mr. Lyson's Cottages, Cowes

Admiral Christian's and Mr. Lyson's Cottages, Cowes
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink with graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/16 x 20 inches (12.9 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Lyson's Cottage, Cowes, Isle of Wight

Lyson's Cottage, Cowes, Isle of Wight
Creator:
attributed to Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Eton College from Datchet Road

Eton College from Datchet Road
Creator:
Thomas Girtin, 1775–1802
Date:
1790
Materials & Techniques:
Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Bradwell Lodge, Bradwell Quay, Essex

Bradwell Lodge, Bradwell Quay, Essex
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Carnarvon Castle, North Wales

Carnarvon Castle, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of Rochester

View of Rochester
Creator:
Thomas Girtin, 1775–1802
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Old Bridge in Devon

The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Kingswear Seen from Dartmouth, Devon

Kingswear Seen from Dartmouth, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Slate Quarry at Widecombe, Devon

Slate Quarry at Widecombe, Devon
Creator:
John White Abbott, 1763–1851
Date:
1792
Materials & Techniques:
Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Great Bookham, Surrey

Great Bookham, Surrey
Creator:
Henry Edridge, 1769–1821
Date:
1814
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 18 1/16 inches (29.7 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View from a Wood, Overlooking the River and Hills at Teignmouth, Devon

View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
Creator:
John White Abbott, 1763–1851
Date:
1810
Materials & Techniques:
Gray wash, pen, gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection