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Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Period 18th century-19th century

Remove constraint Period: 18th century-19th century

Search Results

The Coast Near Naples
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor over graphite on Slightly textured, medium, cream wove paper
Dimensions:
Sheet: 21 5/8 × 31 1/2 inches (54.9 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Sleepwalking Scene in Macbeth
Creator:
Henry Pierce Bone, 1779–1855
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, graphite and traces of white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 x 13 7/8 inches (50.5 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Death of Cordelia
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Falstaff Carrying Dead Hotspur
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Launce Teaching His Dog Crab
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 9 × 9 inches (22.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
Creator:
William Hamilton, 1751–1801
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite with scraping out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Rustics Perform from "A Midsummer Night's Dream"
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Watercolor with brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 11/16 x 9 9/16 inches (14.4 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Rocky Stream
Creator:
Samuel Woodforde, 1763–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 15 13/16 inches (31.3 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
Creator:
John Thirtle, 1777–1839
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 13 9/16 inches (16.8 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
An Allegory of Love
Creator:
Lady Diana Beauclerk, 1734–1808
Date:
Undated
Materials & Techniques:
Watercolor and colored chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 24 7/16 inches (49.5 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Martha Udney
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Watercolor with gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 5 1/2 inches (22.5 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dustanborough Castle
Creator:
Edward Swinburne, 1765–1847
Date:
undated
Materials & Techniques:
Watercolor over graphite with scraping-out on medium, slightly textured, cream laid paper mounted to thick, slightly textured, beige card
Dimensions:
Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Creator:
Andreas Geiger, 1765–1856
Date:
undated
Materials & Techniques:
Etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 1/16 inches (24 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 1/8 inches (37.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sepulchre on the Via Nomentana in the Roman Campagna
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Baths of Caracalla, Rome
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 18 5/8 inches (29.2 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Panoramic View toward St. Peter's from the Palace of the Caesars
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Graphite, watercolor, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/4 inches (29.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Durbar of the Nawab Mubarak al-Daula (1770-93) of Murshidabad
Creator:
Unknown artist (Company style)
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Image: 14 1/8 × 21 inches (35.9 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Double Storeyed House with Single Storeyed Wings beside a Reservoir with a Family Approaching by Elephant and Palanquin
Creator:
Unknown artist (Company style)
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Image: 12 3/4 × 20 1/4 inches (32.4 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Breadfruit Plant (Artocarpus altilis)
Creator:
Unknown artist (Company style)
Date:
ca. 1800
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 19 1/4 inches (38.1 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1823
Materials & Techniques:
Watercolor and brown ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/2 inches (16.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Theatrical Figures About a Throne
Creator:
Richard Westall, 1765–1836
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fluellen Forcing Pistol to Eat His Leek
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Charles Shirreff, ca. 1750–1829
Date:
undated
Materials & Techniques:
Watercolor and white gouache on ivory in original gold frame; lock of hair and miniature metal weapons on back
Dimensions:
Frame: 3 × 2 3/8 × 1/4 inches (7.6 × 6 × 0.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund