Creator Gender: male / Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Date: 1824

101. One of a set of 6: A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. One of a set of 6 (6): A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Boats in a Dock

Creator:: Joseph Stannard, 1797–1830
Date:: between 1824 and 1827
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Plate: 17 x 10 3/4in. (43.2 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. More Park, near Watford, on the River Colne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Cader Idris

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1824 and 1830
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (b) (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (d) (touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Dartmouth Castle, on the River Dart

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (cd) (touched) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 8 5/8 × 10 1/8 inches (21.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Rochester, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (b); completed on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Bergues - La Tour du Marché

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

116. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. More Park, near Watford, on the River Colne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; first engraver's proof before (a) (very early) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Eddystone Lighthouse

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (Turner's copies) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/8 × 21 5/8 inches (37.8 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Members of a Society of Artists that Existed About 1730

Creator:: Richard Sawyer, active 1820–1830
Date:: ca. 1829
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. The Eddystone Lighthouse

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824-1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Creator:: Print made by unknown artist
Date:: 1824 to 1825
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. The Royal Banquet, the Bringing Up of the First Course, 19th July 1821

Creator:: Robert Havell II, 1793–1878
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Royal Banquet - 19th July 1821

Creator:: William James Bennett, 1787–1844
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Ominum Gatherum No. 6

Creator:: Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Ominum Gatherum, Second Series, No. 3

Creator:: Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 1/2 inches (27 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. North West View of Wrexham Church

Creator:: unknown artist
Date:: 1824
Materials & Techniques:: Etching and aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

128. Omnium Gatherum, No. 7

Creator:: Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. London from Greenwich Park

Creator:: Thomas Abiel Prior, 1809–1886
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Gravesend

Creator:: Thomas Abiel Prior, 1809–1886
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. A set of four: The Death. London, pub. by Thos. McLean, 1824

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. A set of four: Full Cry. London, pub. by Thos. McLean, 1824

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Coaching: The Reading Coaches

Creator:: Robert Havell, 1769–1832
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 11/16 x 15 5/8in. (27.1 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. No Shoe's!

Creator:: Henry Heath, active 1824–1835
Date:: 1824
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 3 5/8 x 5 1/8in. (9.2 x 13cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Basin at Blackwell

Creator:: Henry Moses, ca. 1782–1870
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. A Merchantman Becalmed Offshore

Creator:: David Cox Jr., 1809–1885
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 1/16 inches (11.7 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Exeter College Eight on the Isis, Oxford

Creator:: William Turner of Oxford, 1789–1862
Date:: 1824
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Shakspeare's Desk

Creator:: James Fahey, 1804–1885
Date:: 1824
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

141. Turk on a Horse

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: undated
Materials & Techniques:: Pen and sepia ink
Dimensions:: Frame: 2 1/4 × 1 15/16 × 3/16 inches (5.7 × 4.9 × 0.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. An Irish Tilting Match, or the Poissardes against the Poignards

Creator:: Henry Heath, active 1824–1835
Date:: 1824
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. A High Caste Woman Standing by a Wall

Creator:: William Daniell, 1769–1837
Date:: ca. 1829
Materials & Techniques:: Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Hotel de Ville, Bruges

Creator:: John Coney, 1786–1833
Date:: 1824
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 7/8in. (24.4 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. H. Bone, Esqr., R.A.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Cuyp

Creator:: Print made by John Young, 1755–1825
Date:: 1824
Materials & Techniques:: Mezzotint and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

155. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Untitled Images of Livestock, Plate 15

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

157. Untitled Images of Livestock, Plate 9

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

158. Untitled Images of Livestock, Plate 12

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

159. Untitled Images of Livestock, Plate 6

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

160. Untitled Images of Livestock, Plate 5

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

161. Untitled Images of Livestock, Plate 3

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

162. The Coliseum, Rome

Creator:: Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:: 1824
Materials & Techniques:: Graphite camera lucida drawing on medium, smooth, cream wove paper
Dimensions:: Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

163. Untitled Images of Livestock, Plate 8

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

164. Untitled Images of Livestock, Plate 14

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

165. Untitled Images of Livestock

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

166. Antwerp Cathedral

Creator:: Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:: 1824
Materials & Techniques:: Graphite camera lucida drawing on medium, smooth, cream wove paper mounted on sheet of cream wove paper
Dimensions:: Mount: 7 5/8 × 11 1/2 inches (19.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

167. Walking Dress, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1824
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 7 1/2 inches (21.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Covent Garden Market

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

169. Mausoleum, at Trentham (the Seat of the Marquis of Stratford)

Creator:: Print made by John Gendall, 1790–1865
Date:: 1824
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

170. View from the Cowgate of the Buildings on the South of the Parliament Close

Creator:: Print made by Robert Scott, 1771–1841
Date:: 1824
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

171. The Gothic Bridge of Eudes, Tours

Creator:: Print made by Henry Adlard, active 19th century
Date:: between 1824 and 1848
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

172. Untitled Images of Livestock, Plate 16

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

173. Untitled Images of Livestock, Plate 13

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

174. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Creator:: J. W. Wageman, active 1824
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Heads of Fisherman

Creator:: Joseph Stannard, 1797–1830
Date:: 1824
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 5 1/2 inches (24.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Entrance to Calais Harbour

Creator:: David Cox, 1783–1859
Date:: ca. 1829
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Study for Master William Wilberforce

Creator:: John Linnell, 1792–1882
Date:: 1824
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/4 x 6 1/4 inches (17.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of R. M. M. Pryor, Esq., (Hitchin, Herts), 1983.

186. Study of Country Boys

Creator:: William Evans of Bristol, 1809–1858
Date:: undated
Materials & Techniques:: Watercolor and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 6 5/8 inches (18.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. The New Treasury Offices, Whitehall

Creator:: Thomas Abiel Prior, 1809–1886
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. [Coaching] Mail Coach

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1824
Materials & Techniques:: Aquatint, printed in color but mostly hand colored
Dimensions:: Sheet: 14 3/4 x 16 5/8in. (37.4 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Coaching: Waggon

Creator:: George Hunt, active 1820–1840
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/4 x 19 3/4in. (32.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Set of seven [Animals]. 1. [Head of a lion]. 2. Head of a lion. 3. Sleeping Lion and Lioness. 4. Sleeping Lion. 6. Lion and Lioness. 7. Head of a Tigress.

Creator:: John Frederick Lewis, 1804–1876
Date:: 1824-1825
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/4 x 12 1/8in. (21 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Set of four: 1. The Walk

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Coaching: Stage

Creator:: George Hunt, active 1820–1840
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/4 x 19 3/4in. (32.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Coursing [a pair]: 1.Coursers taking the Field at Hatfield Park

Creator:: James Pollard, 1792–1867
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 18 3/4in. (31.4 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Tamehamalu Her Majesty the Queen of the Sandwich Islands (Volume of 102 lithographs)

Creator:: John Hayter, 1800–1895
Date:: 1824
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

195. Siath Satoore, Sadek Beg (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1824
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

196. Tamehameha second His Majesty the King of the Sandwich Islands (Volume of 102 lithographs)

Creator:: John Hayter, 1800–1895
Date:: 1824
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

197. Portrait of Talma

Creator:: Etienne Frederic Lignon, 1779–1833
Date:: 1824
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/4 x 10 1/2in. (34.9 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

198. 1. The Exeter College Eight on the Isis Oxford

Creator:: W. Stack, active 1824
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/4 x 19 3/8in. (28.6 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Partridge Shooting

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1824
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Views in Cornwall: Logan Rock

Creator:: John Pope Vibert, 1790–1865
Date:: 1824
Materials & Techniques:: Color lithographs
Dimensions:: Sheet: 16 1/2 x 21 1/2in. (41.9 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Collection Prints and Drawings

On-site Access Accessible by appointment in the Study Room

Date 1824

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101. One of a set of 6: A Day's Journal of a Sponge

102. Fashionable Bores, or Coolers in High Life

103. One of a set of 6 (6): A Day's Journal of a Sponge

104. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

105. Boats in a Dock

106. More Park, near Watford, on the River Colne

107. Cader Idris

108. Norham Castle, on the River Tweed

109. Norham Castle, on the River Tweed

110. Norham Castle, on the River Tweed

111. Norham Castle, on the River Tweed

112. Dartmouth Castle, on the River Dart

113. Norham Castle, on the River Tweed

114. Rochester, on the River Medway

115. Bergues - La Tour du Marché

116. Norham Castle, on the River Tweed

117. More Park, near Watford, on the River Colne

118. The Eddystone Lighthouse

119. Cowdray Ruins

120. Members of a Society of Artists that Existed About 1730

121. The Eddystone Lighthouse

122. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

123. The Royal Banquet, the Bringing Up of the First Course, 19th July 1821

124. The Royal Banquet - 19th July 1821

125. Ominum Gatherum No. 6

126. Ominum Gatherum, Second Series, No. 3

127. North West View of Wrexham Church

128. Omnium Gatherum, No. 7

129. London from Greenwich Park

130. Gravesend

131. A set of four: The Death. London, pub. by Thos. McLean, 1824

132. A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824

133. A set of four: Full Cry. London, pub. by Thos. McLean, 1824

134. Coaching: The Reading Coaches

135. No Shoe's!

136. Basin at Blackwell

137. A Merchantman Becalmed Offshore

138. The Exeter College Eight on the Isis, Oxford

139. Elevations and Plans of the Court of Kings Bench

140. Shakspeare's Desk

141. Turk on a Horse

142. An Irish Tilting Match, or the Poissardes against the Poignards

143. A High Caste Woman Standing by a Wall

144. Hotel de Ville, Bruges

145. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

146. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

147. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

148. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

149. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

150. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

151. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

152. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

153. H. Bone, Esqr., R.A.

154. Cuyp

155. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

156. Untitled Images of Livestock, Plate 15

157. Untitled Images of Livestock, Plate 9

158. Untitled Images of Livestock, Plate 12

159. Untitled Images of Livestock, Plate 6

160. Untitled Images of Livestock, Plate 5

161. Untitled Images of Livestock, Plate 3

162. The Coliseum, Rome

163. Untitled Images of Livestock, Plate 8

164. Untitled Images of Livestock, Plate 14

165. Untitled Images of Livestock

166. Antwerp Cathedral

167. Walking Dress, Tenerife

168. Covent Garden Market

169. Mausoleum, at Trentham (the Seat of the Marquis of Stratford)

170. View from the Cowgate of the Buildings on the South of the Parliament Close

171. The Gothic Bridge of Eudes, Tours

172. Untitled Images of Livestock, Plate 16