Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1835 / Image Use: Free to Use

1. End of Lake Geneva

Creator:: Francis Danby, 1793–1861
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 45 inches (76.2 x 114.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A View of Theobald's Park, Hertfordshire

Creator:: John James Chalon, 1778–1854
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 x 31 3/4 inches (62.2 x 80.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Hunting Scene: In Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 1/8 inches (45.7 x 61.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Hunting Scene: Drawing the Cover

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 1/4 inches (45.7 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Hunting Scene: The Kill

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 1/4 inches (45.7 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Bachelor's Hall: Breaking Cover

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Ravager, One of the Lambton Hounds

Creator:: James Ward, 1769–1859
Date:: 1835
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A Scene on the Road in France

Creator:: Charles Cooper Henderson, 1803–1877
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/2 x 12 inches (21.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Discussing a Catch of Salmon in a Scottish Fishing-Lodge

Creator:: William Shiels, 1785–1857
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 38 x 50 3/4 inches (96.5 x 128.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Woman in a Landscape

Creator:: Sir Martin Archer Shee, 1769–1850
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 27 inches (90.2 x 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Shepherd Boy on a Hillside

Creator:: William Turner of Oxford, 1789–1862
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/4 x 9 1/4 inches (18.4 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Study of Birds

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 20 inches (27.9 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Mid-Day Rest, Harvest

Creator:: William Frederick Witherington, 1785–1865
Date:: ca. 1840
Materials & Techniques:: Oil on board
Dimensions:: 8 x 11 1/2 inches (20.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Cleve Toot, near Bristol

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/4 x 10 7/8 inches (15.9 x 27.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 7/8 × 24 5/8 inches (47.9 × 62.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P.

Creator:: James Ward, 1769–1859
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 28 x 36 inches (71.1 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. James Taylor Wray of the Bedale Hunt with his Dun Hunter

Creator:: Anson Ambrose Martin, active 1830–1844
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 20 5/8 x 25 inches (52.4 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. The London-Faringdon Coach passing Buckland House, Berkshire

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/8 x 27 5/8 inches (50.5 x 70.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Bachelor's Hall: Full Cry

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Hunting Scene: The Meet

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 1/4 inches (45.7 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Bachelor's Hall: The Meet

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Bachelor's Hall: Capping on Hounds

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Bachelor's Hall: The Death

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Grey Shooting Pony, Probably the Property of Johnston King, with a Groom

Creator:: Thomas Woodward, 1801–1852
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Foxhunting: Clearing a Bank

Creator:: John Dalby, active 1826–1853
Date:: ca. 1840
Materials & Techniques:: Oil on millboard
Dimensions:: 5 x 6 1/8 inches (12.7 x 15.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Landscape with Trees and a Figure

Creator:: Thomas Churchyard, 1798–1865
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 x 5 inches (16.5 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Stoke Poges Church

Creator:: Thomas Churchyard, 1798–1865
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 4 3/8 x 5 7/8 inches (11.1 x 14.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. A View of Eton and the Fellows Eyot

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on paper on panel
Dimensions:: 6 1/2 x 10 1/4 inches (16.5 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Hanham Lock on the Avon

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 8 x 18 1/8 inches (20.3 x 46 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Sheep Grazing

Creator:: John Linnell, 1792–1882
Date:: 1835
Materials & Techniques:: Oil on board
Dimensions:: 6 3/4 x 9 3/4 inches (17.1 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Portrait of a Woman, Probably Mrs. Price of Rugby

Creator:: John Linnell, 1792–1882
Date:: 1835
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 9 5/8 inches (28.9 x 24.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Port on a Stormy Day

Creator:: George Chambers, 1803–1840
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 18 inches (33 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Chinese Gamblers

Creator:: George Chinnery, 1774–1852
Date:: ca. 1840
Materials & Techniques:: Oil on paper lined to canvas
Dimensions:: 6 x 8 inches (15.2 x 20.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. Canal under construction, possibly the Bude Canal

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/16 x 16 inches (30.6 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. Godstow Bridge near Oxford

Creator:: Edward William Cooke, 1811–1880
Date:: 1835
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. Antique Letter Box Converted into a Humidor

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Oil on wood
Dimensions:: Overall: 5 1/2 x 12 1/4 x 9 inches (14 x 31.1 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. The Ferry

Creator:: Francis Danby, 1793–1861
Date:: ca. 1840
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 7 3/8 inches (10.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hope near Bergen

Creator:: Francis Danby, 1793–1861
Date:: ca. 1840
Materials & Techniques:: Brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1840
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: 1835 or 1836
Materials & Techniques:: Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper
Dimensions:: Sheet: 15 x 18 1/8 inches (38.1 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Rocky Landscape in Wales

Creator:: Samuel Palmer, 1805–1881
Date:: 1835 or 1836
Materials & Techniques:: Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Pistil Mawddach, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: between 1835 and 1836
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Tintern Abbey

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Mountains by the Traveller's Rest near Dolgelly

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor and gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Pastoral Scene

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Brown wash on wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Yarmouth Sands

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Venice, The Mouth of the Grand Canal

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 9 3/16 inches (14.6 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Bedford from the North

Creator:: Print made by Henry Burn, active 1845
Date:: ca. 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Coaching: Four in Hand

Creator:: unknown artist
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Chaffinch

Creator:: Possibly Joseph Wolf, 1820–1899
Date:: ca. 1840
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 4 1/16 inches (12.1 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Fox Hunting: Getting Away

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Fox Hunting: Drawing the Cover

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Fox Hunting: The Full Cry

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Fox Hunting: The Death

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hog Hunting: The Find

Creator:: Print made by S. W. Fores, 1761–1838
Date:: ca. 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Coaching: Travelling Carriage

Creator:: unknown artist
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 x 19 5/8in. (40.6 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Shooting: [Set of Twenty-five with two title-pages:] My Lord Mayor's Album or Cockney Sports

Creator:: Henry Heath, active 1824–1835
Date:: 1835
Materials & Techniques:: Hand colored lithographs on paper of different tints (green, blue, brown or white)
Dimensions:: Sheet: 9 1/8 x 7in. (23.2 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Fox Hunting [set of six]: Melton Mowbray No. 1. Going to Cover

Creator:: Printed by Day & Co., 1824–1913
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. [Set of four] Sporting in the Scottish Isles: No. I. Grouse Shooting

Creator:: William Heath, 1795–1840
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Cock Fighting [a pair]: 1. The Cock in Feather

Creator:: Charles Turner, 1774–1857
Date:: 1835 (re-issue of 1812)
Materials & Techniques:: Mixed method, hand colored
Dimensions:: Sheet: 18 3/4 x 15 1/2in. (47.6 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Prince Albert, 11 Coopers Row, Crutched Friars, and Cooper's Bonded Vaults and Tea Warehouses

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: ca. 1840
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 12 1/16in. (30.2 x 30.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Monstrosities of 1827

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 × 14 5/8 inches (25.1 × 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.1 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Temple of Aphaia at Aegina: Elevations

Creator:: Edmund Turrell, active 1835–1860
Date:: undated
Materials & Techniques:: Line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Hon. and Rev. Baptist Wriothesley Noel (1798-1873)

Creator:: George Richmond, 1809–1896
Date:: between 1835 and 1840
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 5/8 inches (24.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Château Gaillard, from the South (Vignette)

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Château Gaillard, from the East

Creator:: Print made by John Smith, 1652–1743
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Vernon

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View on the Seine between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Pont de l'Arche

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Field of Waterloo

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Chiefswood Cottage

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Milan

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Red Sea and Suez

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Desert of Sinai

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Etching and engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Jericho

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Ramah and Rachel's Tomb

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Dead Sea, Jericho and the Mouth of the Jordan

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Babylon

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Solomon's Pools

Creator:: Print made by James Stephenson, 1808–1886
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Jerusalem from the Mount of Olives

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Egypt, the Pyramids of Ghizeh

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Jerusalem, with the Walls

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835-1836
Materials & Techniques:: Etching and engraving, (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lebanon from Tripoli

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Jerusalem, Pool of Bethesda

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Valley of the Brook Kedron

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Nazareth

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Assos

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Sidon

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Fall of the Rebel Angels

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Dimensions:: Plate: 8 7/16 x 5 7/8in. (21.5 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Mount Lebanon and the Convent of St. Antonio

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Mustering of the Warrior Angels

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Line engraving, 1st published state
Dimensions:: Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (Engraver's Proof b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1835

Image Use Free to Use

Search Results

1. End of Lake Geneva

2. A View of Theobald's Park, Hertfordshire

3. Hunting Scene: In Full Cry

4. Hunting Scene: Drawing the Cover

5. Hunting Scene: The Kill

6. Bachelor's Hall: Breaking Cover

7. Ravager, One of the Lambton Hounds

8. A Scene on the Road in France

9. Discussing a Catch of Salmon in a Scottish Fishing-Lodge

10. A Woman in a Landscape

11. Shepherd Boy on a Hillside

12. Study of Birds

13. Mid-Day Rest, Harvest

14. Cleve Toot, near Bristol

15. Joshua Commanding the Sun to Stand Still

16. Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P.

17. James Taylor Wray of the Bedale Hunt with his Dun Hunter

18. The London-Faringdon Coach passing Buckland House, Berkshire

19. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

20. Bachelor's Hall: Full Cry

21. Hunting Scene: The Meet

22. Bachelor's Hall: The Meet

23. Bachelor's Hall: Capping on Hounds

24. Bachelor's Hall: The Death

25. Grey Shooting Pony, Probably the Property of Johnston King, with a Groom

26. Foxhunting: Clearing a Bank

27. Landscape with Trees and a Figure

28. Stoke Poges Church

29. A View of Eton and the Fellows Eyot

30. Hanham Lock on the Avon

31. Sheep Grazing

32. Portrait of a Woman, Probably Mrs. Price of Rugby

33. Port on a Stormy Day

34. Chinese Gamblers

35. Canal under construction, possibly the Bude Canal

36. Godstow Bridge near Oxford

37. Antique Letter Box Converted into a Humidor

38. The Ferry

39. Hope near Bergen

40. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

41. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

42. Rocky Landscape in Wales

43. Pistil Mawddach, North Wales

44. Tintern Abbey

45. Mountains by the Traveller's Rest near Dolgelly

46. A Pastoral Scene

47. Yarmouth Sands

48. Venice, The Mouth of the Grand Canal

49. Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

50. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

51. Bedford from the North

52. Coaching: Four in Hand

53. Chaffinch

54. Fox Hunting: Getting Away

55. Fox Hunting: Drawing the Cover

56. Fox Hunting: The Full Cry

57. Fox Hunting: The Death

58. Hog Hunting: The Find

59. Coaching: Travelling Carriage

60. Shooting: [Set of Twenty-five with two title-pages:] My Lord Mayor's Album or Cockney Sports

61. Fox Hunting [set of six]: Melton Mowbray No. 1. Going to Cover

62. [Set of four] Sporting in the Scottish Isles: No. I. Grouse Shooting

63. Cock Fighting [a pair]: 1. The Cock in Feather

64. The Prince Albert, 11 Coopers Row, Crutched Friars, and Cooper's Bonded Vaults and Tea Warehouses

65. Monstrosities of 1827

66. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

67. The Temple of Aphaia at Aegina: Elevations

68. Hon. and Rev. Baptist Wriothesley Noel (1798-1873)

69. Château Gaillard, from the South (Vignette)

70. Château Gaillard, from the East

71. Vernon

72. St. Germains