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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1842

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Associated Places London

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Associated Places United Kingdom

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1. Pines on Hampstead Heath

Pines on Hampstead Heath
Creator:
William James Muller, 1812–1845
Date:
1842
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 5/8 x 13 inches (49.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Vol. 6, Plate XXXII: The Story of Hezekiah.

Vol. 6, Plate XXXII: The Story of Hezekiah.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Vol. 6, Plate XXIX

Vol. 6, Plate XXIX
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 21 7/8 × 15 1/8 inches (55.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Vol. 6, Plate XXVIII

Vol. 6, Plate XXVIII
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Vol. 6, Plate XXVII: The Painted Chamber

Vol. 6, Plate XXVII: The Painted Chamber
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Design for Grosvenor House, London: Elevation towards Grosvenor Street

Design for Grosvenor House, London: Elevation towards Grosvenor Street
Creator:
Thomas Cundy, 1790–1867
Date:
1842
Materials & Techniques:
Graphite, pen and black ink and wash on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 8 5/16 × 22 7/8 inches (21.1 × 58.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Design for Grosvenor House, London: Plan

Design for Grosvenor House, London: Plan
Creator:
Thomas Cundy, 1790–1867
Date:
1842
Materials & Techniques:
Graphite, pen and black ink, wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 6 3/8 × 13 1/8 inches (16.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House

No cover image available
Creator:
Thomas Cundy, 1790–1867
Date:
1842
Materials & Techniques:
Graphite, pen and black ink and wash on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 29 7/16 × 25 3/16 inches (74.8 × 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection