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1. Dumblain Abbey, Scotland

Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Ville de Thun, Switzerland

Ville de Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Norham Castle on the Tweed

Norham Castle on the Tweed
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Norham Castle on the Tweed

Norham Castle on the Tweed
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; Engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Bonneville, Savoy

Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Ville de Thun, Switzerland

Ville de Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Norham Castle on the Tweed

Norham Castle on the Tweed
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Dumblain Abbey, Scotland

Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink Third state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Mill near the Grand Chartreuse, Dauphiny

Mill near the Grand Chartreuse, Dauphiny
Creator:
Print made by Henry Dawe, 1790–1848
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A View of the Bank of England

A View of the Bank of England
Creator:
Daniel Havell, 1785–1826
Date:
1816
Materials & Techniques:
Hand-colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 9/16 × 20 1/16 inches (39.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Great Cloister, Cassiobury

The Great Cloister, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, later state, 1837 edition plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Cassiobury, Herfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, 1st published state, printed in color, finished by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, hand colooring, later state, 1837 edition
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Great Cloister, Cassiobury

The Great Cloister, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Hand colored, aquatint, First published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. West Front, Cassiobury

West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Etching and aquatint; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, gray wash, 1st published state, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Raglan Castle

Raglan Castle
Creator:
Attributed to Henry Dawe, 1790–1848
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Harewood House

Harewood House
Creator:
Print made by John Scott, 1774–1828
Date:
1816
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 17 9/16 inches (27.3 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Flower Garden Porch at Farnley

Flower Garden Porch at Farnley
Creator:
Print made by unknown artist
Date:
1816
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Harewood House

Harewood House
Creator:
Print made by John Scott, 1774–1828
Date:
1816
Materials & Techniques:
Line engraving, published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 19 1/4 inches (34.3 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Little Devil's Bridge

The Little Devil's Bridge
Creator:
Print made by unknown artist
Date:
between 1816 and 1820
Materials & Techniques:
Open etching and line engraving, (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Harewood House

Harewood House
Creator:
Print made by John Scott, 1774–1828
Date:
1816
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Classical City

A Classical City
Creator:
Print made by John Martin, 1789–1854
Date:
1816
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 6 5/8 × 8 7/8 inches (16.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Mill near the Grand Chartreuse, Dauphiny

Mill near the Grand Chartreuse, Dauphiny
Creator:
Print made by Henry Dawe, 1790–1848
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1816
Materials & Techniques:
Etching on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 inches (54.6 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Longitudinal Section of Westminster Hall

Longitudinal Section of Westminster Hall
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Interior of Westminster Hall as Prepared for the Banquet

Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A View of Hall-head Sugar Plantation, Jamaica

A View of Hall-head Sugar Plantation, Jamaica
Creator:
Print made by John Byrne, 1786–1847
Date:
1816
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 5/8 inches (21.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Langhorne

32. The Three Swords

No cover image available
Creator:
Print made by unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund