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Creator Gender unknown

Creator Unknown artist

Work Type drawing

1. Design for a Door-knocker

Design for a Door-knocker

Creator:: Attributed to office of Robert Adam, 1728–1792
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and brown ink on slightly textured, moderately thin, white laid paper
Dimensions:: Sheet: 14 13/16 × 9 1/8 inches (37.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Entrance to the House of Lords

Entrance to the House of Lords

Creator:: Attributed to William Capon, 1757–1827
Date:: 1796
Materials & Techniques:: Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Elevation of Buildings Fronting Westminster Hall

Elevation of Buildings Fronting Westminster Hall

Creator:: Attributed to William Capon, 1757–1827
Date:: 1822
Materials & Techniques:: Graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/4 × 23 3/8 inches (33.7 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Plan of the Basement Story under the House of Lords

Plan of the Basement Story under the House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Time raising Truth, after Rubens’s “The Triumph of Truth”

Time raising Truth, after Rubens’s “The Triumph of Truth”

Creator:: Attributed to Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 x 11 15/16 inches (20.3 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

7. View of Bookbinder and stationer's at H&J Pillans Printers

View of Bookbinder and stationer's at H&J Pillans Printers

Creator:: William Douglas, 1822–1891
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper mounted to smooth, cream card
Dimensions:: Sheet: 4 1/8 × 7 3/8 inches (10.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset

Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset

Creator:: Workshop of Nicholas Hilliard, ca. 1547–1619
Date:: undated
Materials & Techniques:: Watercolor, bodycolor, gold and silver on vellum mounted on playing card
Dimensions:: Overall: 4 5/16 × 3 9/16 inches (11 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. A View of Hall-head Sugar Plantation, Jamaica

A View of Hall-head Sugar Plantation, Jamaica

Creator:: Edward Kennion, 1743–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Brown's Parakeet

Brown's Parakeet

Creator:: after Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Watercolor, pen and black ink and graphite on beige board
Dimensions:: Sheet: 15 × 12 inches (38.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Tree Study (Autumn Foliage)

Tree Study (Autumn Foliage)

Creator:: attributed to John Linnell, 1792–1882
Date:: ca. 1828
Materials & Techniques:: Gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 12 1/8 inches (25.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Designs for a Stables

No cover image available

Creator:: Formerly David Loggan, 1633–1692
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 x 16 1/4 inches (25.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Fanali di Villa Franca

Fanali di Villa Franca

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 × 7 7/16 inches (12.5 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. On the Banks of the Lago di Como

On the Banks of the Lago di Como

Creator:: Monro School
Date:: ca. 1796
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Castle on a Small Rocky Island. Boats in the Sea.

No cover image available

Creator:: James Murray, 1818–1899
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection