Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
3
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
4
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
5
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
6
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
7
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
8
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
9
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
10
Print made by William Sharp, 1749–1824
Niobe
1792
11
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
12
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
13
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
14
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
15
Joseph Highmore, 1692–1780
The Angel of Mercy
ca. 1746
Not on view
16
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
17
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
25
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
27
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."