Journal of an embassy from the governor general of India to the court of Ava in the year 1827
1829
2
Purcell, E. (Edward)
Landscape animals
August 1, 1822 [i.e. 1829]
3
Chapuy, Nicolas-Marie-Joseph, 1790–1858
Vues pittoresques de la cathédrale de Dijon
1829
4
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure
[between 1829 and 1848]
5
Chapuy, Nicolas-Marie-Joseph, 1790–1858
Vues pittoresques de la cathédrale d'Arles
1829
6
Chapuy, Nicolas-Marie-Joseph, 1790–1858
Vues pittoresques de la cathédrale d'Albi
1829
7
Views at St. Leonards, near Hastings
[1829]
8
Hull, Edward, active 1820–1834
The frog's courtship
1829
9
Costumes of the Canary Islands
1829
10
France. Sovereign (1824–1830 : Charles X)
... Ordonnance du roi, du 6 décembre 1829
1829
11
Rowe, George, 1796–1864
Beauties of the north of Devon
[1829?]
12
Smith, Christopher Webb, 1793–1871
Oriental ornithology
1829
13
MacFarlane, Charles, 1799–1858
Constantinople in 1828
1829
14
Highland Society of Scotland
The breeds of our different domestic animals
1829-1831
15
Upham, Edward, 1776–1834
The history and doctrine of Budhism
1829
16
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1829
17
Dillon, Peter, 1785–1847
Narrative and successful result of a voyage in the South Seas
1829
18
Rutter, John, 1796–1851
Delineations of the north western division of the county of Somerset, and of its antediluvian bone caverns
1829
19
The costume of the British navy
1829
20
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing
1829
21
Swinton, George, 1780–1854
Papa's keepsake
1829
22
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure