Date: 1832 / Classification: Prints - YCBA Collections Search Search Results

1. Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo.

Creator:: Print made by Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 22 x 15 1/8 inches (55.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

2. Lesser Sulphur-crested Cockatoo (Plate 4)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 21 1/4 x 14 1/4in. (54 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Macrocerus Ararauna / Blue and Yellow Maccaw / 2/3 Nat. size (Plate 8)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph printed in black ink (proof?)
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Hyacinthine Maccaw (Plate 9)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on wove paper with chine-collé
Dimensions:: Sheet: 20 x 13 3/4in. (50.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Psittacara Naria / Dwarf Parrakeet Maccaw (Plate 12)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand colored lithograph on wove paper
Dimensions:: Sheet: 21 1/2 x 14 3/4in. (54.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Platycerus Barnardi / Barnard's Parrakeet (Plate 18)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. Platycercus Brownii / Brown's Parrakeet

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 1/4 x 13 3/8in. (51.4 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Platycercus Stanley II / Stanley Parrakeet (Young Male) (Plate 24)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?) on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Plyctolophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?), partly hand-colored
Dimensions:: Sheet: 21 3/4 x 15in. (55.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?), hand-colored on wove paper
Dimensions:: Sheet: 21 1/2 x 14 3/4in. (54.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Red-capped Parrakeet , male (Plate 21)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 21 1/2 x 15in. (54.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Palaeornia Columbiodes / Pigeon Parrakeet (Plate 31)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?) on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Lorius Domicella / Black-capped Lorry (Plate 37)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 1/2 x 13in. (52.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Abyssinian Parrakeet (Plate 39)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 11 x 11in. (27.9 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. Collared Parrakeet (Plate 40)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph printed in black, plate trimmed
Dimensions:: Sheet: 16 x 11 1/2in. (40.6 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Valmontone, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 1/2 × 14 15/16 inches (24.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. Illustrations of the Family of Psittacidae , Or Parrots, Part 1: Folio Wrapper,Title Page, Dedication Page, Subscriber's Page

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 22 1/4 x 15in. (56.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Plyctolophus Rosaceus / Salmon-crested Cockatoo 4/5 Nat. size (Plate 2)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 x 11 3/4in. (50.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Cervara

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 14 15/16in. (24.8 x 37.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Platycereus Tabuensis / Tabuan Parrakeet (Plate 16)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?) on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Platycercus Stanley II / Stanley Parrakeet (young male) (Plate 24)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 22 x 14 3/4in. (55.9 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Platycercus Pacificus / Pacific Parrakeet (Plate 26)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 1/2 x 13 5/8in. (52.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Pacific Parrakeet (Plate 26)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 19 1/4 x 14in. (48.9 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Psittacula Rubrifrons/ Red-fronted Parrakeet (Plate 41)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph printed in black ink (proof?)
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. (Swindern's Parrakeet) (Plate 42)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 13 1/2 x 10 1/2in. (34.3 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Psittacula Swinderniana. Swindern's Parrakeet

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: hand-colored lithograph printed in black ink
Dimensions:: Sheet: 20 3/4 x 14 5/8 inches (52.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. Rome from Monte Pincio

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 16 1/2in. (24.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

28. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint (engraved proof) on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 30 3/4 × 21 inches (78.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. View of Tonbridge During the Late Election, December 18, 1832

Creator:: Print made by Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. R. P. Bonington

Creator:: Edward Scriven, 1775–1841
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Demolition of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. London Bridge--- Demolition

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 16 3/4in. (33 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Program Cover for a Performance of Sacred Music at St. Saviours Church

Creator:: Thomas Talbot Bury, 1811–1877
Date:: 1832
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. St. Dunstan's Church, Fleet Street

Creator:: George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. New London Bridge from Billingsgate (low water)

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 13/16 x 15 5/8in. (30 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Part of Waterloo Bridge with the Shot Tower and Company

Creator:: George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 6 7/8in. (25.7 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Calais Pier

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: after 1832
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Ruins of the Crypt of St. Thomas on Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 5/8 x 11 5/8in. (24.4 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Theatre and Covered Seats in White Conduit Gardens

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Plan of the Former Hall of the Dyers' Company, removed 1838

Creator:: C. F. Kell, active 1882
Date:: undated
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. St. Caterine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Malta

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 16 7/8 inches (29.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Gibraltar

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 × 17 1/4 inches (30.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out (Engraver's Proof a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Bridge of Sighs, Venice

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 3/4 inches (43.3 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Parnassus and Castalian Spring

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, first published state on thick, moderately textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 15/16 inches (43.8 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Bernese Alps

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 3/16 × 12 inches (43.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Sophia, Constantinople

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Cologne

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 5/8 × 12 inches (44.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Scio (Fontana de Melek Mehmet Pasha)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Castle Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, smooth, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The School of Homer, Scio

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Negropont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 3/8 inches (31 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cephalonia

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Gate of Theseus, Athens

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Plain of Troy

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Santa Maria della Spina

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 13/16 inches (43.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Corinth from the Acropolis

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Falls of the Rhine

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Aurelian Walls, Pyramid of Cestius

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 11 15/16 inches (44 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Genoa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Tamworth Castle, Staffordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Tamworth Castle, Staffordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Toll House, Richmond Bridge

Creator:: William Bernard Cooke, 1778–1855
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Yarmouth, Norfolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1832
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

99. Yarmouth, Norfolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1832
Materials & Techniques:: Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/8 inches (29.8 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

100. The Glebe Farm

Creator:: Print made by David Lucas, 1802–1881
Date:: 1832
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 17 1/8 inches (30.2 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

YCBA Collections Search

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Date 1832

Classification Prints

Search Results

1. Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo.

2. Lesser Sulphur-crested Cockatoo (Plate 4)

3. Macrocerus Ararauna / Blue and Yellow Maccaw / 2/3 Nat. size (Plate 8)

4. Hyacinthine Maccaw (Plate 9)

5. Psittacara Naria / Dwarf Parrakeet Maccaw (Plate 12)

6. Platycerus Barnardi / Barnard's Parrakeet (Plate 18)

7. Platycercus Brownii / Brown's Parrakeet

8. Platycercus Stanley II / Stanley Parrakeet (Young Male) (Plate 24)

9. Plyctolophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

10. Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

11. Red-capped Parrakeet , male (Plate 21)

12. Palaeornia Columbiodes / Pigeon Parrakeet (Plate 31)

13. Lorius Domicella / Black-capped Lorry (Plate 37)

14. Abyssinian Parrakeet (Plate 39)

15. Collared Parrakeet (Plate 40)

16. Valmontone, from Views in Rome and its Environs, 1841

17. Illustrations of the Family of Psittacidae , Or Parrots, Part 1: Folio Wrapper,Title Page, Dedication Page, Subscriber's Page

18. Plyctolophus Rosaceus / Salmon-crested Cockatoo 4/5 Nat. size (Plate 2)

19. Cervara

20. Platycereus Tabuensis / Tabuan Parrakeet (Plate 16)

21. Platycercus Stanley II / Stanley Parrakeet (young male) (Plate 24)

22. Platycercus Pacificus / Pacific Parrakeet (Plate 26)

23. Pacific Parrakeet (Plate 26)

24. Psittacula Rubrifrons/ Red-fronted Parrakeet (Plate 41)

25. (Swindern's Parrakeet) (Plate 42)

26. Psittacula Swinderniana. Swindern's Parrakeet

27. Rome from Monte Pincio

28. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

29. View of Tonbridge During the Late Election, December 18, 1832

30. R. P. Bonington

31. Demolition of Old London Bridge

32. London Bridge--- Demolition

33. Program Cover for a Performance of Sacred Music at St. Saviours Church

34. St. Dunstan's Church, Fleet Street

35. New London Bridge from Billingsgate (low water)

36. Part of Waterloo Bridge with the Shot Tower and Company

37. Julia, Lady Peel

38. Calais Pier

39. Ruins of the Crypt of St. Thomas on Old London Bridge

40. The Theatre and Covered Seats in White Conduit Gardens

41. Plan of the Former Hall of the Dyers' Company, removed 1838

42. Plymouth, Devonshire

43. St. Catherine's Hill, near Guildford, Surrey

44. St. Catherine's Hill, near Guildford, Surrey

45. St. Caterine's Hill, near Guildford, Surrey

46. St. Catherine's Hill, near Guildford, Surrey

47. Malta

48. Gibraltar

49. The Acropolis of Athens

50. The Bridge of Sighs, Venice

51. Parnassus and Castalian Spring

52. The Bernese Alps

53. St. Sophia, Constantinople

54. Cologne

55. Scio (Fontana de Melek Mehmet Pasha)

56. The Castle Rhine

57. The School of Homer, Scio

58. The Field of Waterloo from Hougoumont

59. Plymouth, Devonshire

60. Chatham, Kent

61. Brinkburn Priory, Northumberland

62. Havre

63. Negropont

64. Cephalonia

65. Gate of Theseus, Athens

66. The Plain of Troy

67. Santa Maria della Spina

68. Bacharach on the Rhine

69. Corinth from the Acropolis

70. Falls of the Rhine

71. Aurelian Walls, Pyramid of Cestius

72. Genoa

73. Richmond Hill and Bridge, Surrey

74. Richmond Hill and Bridge, Surrey