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Period 19th century

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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Work Type drawing

Remove constraint Work Type: drawing

Search Results

1. Ancient Trees, Lullingstone Park

Ancient Trees, Lullingstone Park
Creator:
Samuel Palmer, 1805–1881
Date:
1828
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 5/8 inches (26.7 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Moonlit Scene with a Winding River

A Moonlit Scene with a Winding River
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1827
Materials & Techniques:
Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Foxgloves

Foxgloves
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, white laid paper
Dimensions:
Sheet: 6 3/4 x 8 3/4 inches (17.1 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Brambles

Brambles
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Shepherd and his Flock under the Moon and Stars

A Shepherd and his Flock under the Moon and Stars
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1827
Materials & Techniques:
Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:
Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Vesuvius in Eruption

Vesuvius in Eruption
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1817 and 1820
Materials & Techniques:
Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Fluelen: Morning (looking towards the lake)

Fluelen: Morning (looking towards the lake)
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1845
Materials & Techniques:
Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Mer de Glace, in the Valley of Chamonix

Mer de Glace, in the Valley of Chamonix
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1803
Materials & Techniques:
Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:
Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Upper Fall of the Reichenbach: Rainbow

Upper Fall of the Reichenbach: Rainbow
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1810
Materials & Techniques:
Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Channel Sketchbook

The Channel Sketchbook
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1845
Materials & Techniques:
Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:
Binding: 4 inches (10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 2, Title Page

Jerusalem, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 57, "And the voices of Bath...."

Jerusalem, Plate 57, "And the voices of Bath...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 15, "And Hand & Hyle...."

Jerusalem, Plate 15, "And Hand & Hyle...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 6, "His Spectre driv'n...."

Jerusalem, Plate 6, "His Spectre driv'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 62, "Repose on me...."

Jerusalem, Plate 62, "Repose on me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Sheik Hussein of Gebel Tor and His Son

Sheik Hussein of Gebel Tor and His Son
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1842 and 1843
Materials & Techniques:
Watercolor, white gouache, red chalk, black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 1/8 x 14 1/2 inches (51.1 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Crater of Vesuvius

Crater of Vesuvius
Creator:
William Haygarth, active 1810–1816
Date:
1816
Materials & Techniques:
Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Seated Turk

Seated Turk
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1840 and 1841
Materials & Techniques:
Watercolor, white gouache, black chalk, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 x 11 5/8 inches (43.2 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Tryfan, Carnarvonshire

Tryfan, Carnarvonshire
Creator:
George Fennell Robson, 1788–1833
Date:
1826
Materials & Techniques:
Watercolor, gouache and scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 29 15/16 inches (46.4 x 76 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Portia and Bassanio

Portia and Bassanio
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Study of a Lioness

Study of a Lioness
Creator:
John Frederick Lewis, 1804–1876
Date:
ca. 1824
Materials & Techniques:
Watercolor and gouache over graphite on buff wove paper
Dimensions:
Sheet: 14 5/16 x 16 9/16 inches (36.4 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Study of a Lion and Study of a Lioness' Head

Study of a Lion and Study of a Lioness' Head
Creator:
John Frederick Lewis, 1804–1876
Date:
ca. 1820
Materials & Techniques:
Graphite, black chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 5/8 inches (27 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
Creator:
John Frederick Lewis, 1804–1876
Date:
1856
Materials & Techniques:
Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:
Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Two Studies of an Indian Elephant's Head

Two Studies of an Indian Elephant's Head
Creator:
Thomas Daniell, 1749–1840
Date:
ca. 1840
Materials & Techniques:
Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Great Temple of Amon Karnak, The Hypostyle Hall

The Great Temple of Amon Karnak, The Hypostyle Hall
Creator:
David Roberts, 1796–1864
Date:
1838
Materials & Techniques:
Watercolor and gouache with scratching out and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1834
Materials & Techniques:
Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Castle Acre Priory, Norfolk

Castle Acre Priory, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1804
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 11 inches (37.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Tree Study

Tree Study
Creator:
Robert Hills, 1769–1844
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 8 7/8 inches (30.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection