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401. Right Hon. Augustus Hervey

Right Hon. Augustus Hervey
Creator:
Print made by James Watson, 1740–1790
Date:
1773
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 7/16 × 14 1/2 inches (57 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

402. Oliver Cromwell, P.R.O.C.

Oliver Cromwell, P.R.O.C.
Creator:
Print made by Jan van de Velde IV, ca. 1620–1686
Date:
ca. 1655
Materials & Techniques:
Line engraving, stipple engraving and aquatint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 × 12 3/16 inches (40.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

403. Officer of State

Officer of State
Creator:
Print made by William Pether, ca. 1738–1821
Date:
1764
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 13/16 × 14 7/8 inches (52.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

404. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

405. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

406. Lillebonne, Château

Lillebonne, Château
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

407. Paris from the Barriere de Passy

Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

408. John Marquess of Granby

John Marquess of Granby
Creator:
Print made by James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/8 × 18 1/4 inches (61.3 × 46.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

409. John Viscount Ligonier

John Viscount Ligonier
Creator:
Print made by Edward Fisher, 1722–1785
Date:
after 1761
Materials & Techniques:
Mezzotint ( 1st state ) on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 24 3/4 × 18 7/8 inches (62.9 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

410. Admiral Lord Nelson

Admiral Lord Nelson
Creator:
Print made by Charles Turner, 1774–1857
Date:
1806
Materials & Techniques:
Mezzotint (first state) on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 27 3/4 × 19 1/8 inches (70.5 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

411. The Battle at La Hogue

The Battle at La Hogue
Creator:
William Woollett, 1735–1785
Date:
1781
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 25 1/16 inches (50.2 × 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

412. A Charging Mameluke Firing a Pistol

A Charging Mameluke Firing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Etching and soft-ground
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

413. Lord Robert Manners, Captain R.N.

Lord Robert Manners, Captain R.N.
Creator:
Print made by William Dickinson, 1746–1823
Date:
1783
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 × 15 3/8 inches (63.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

414. Colonel Tarleton

Colonel Tarleton
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1782
Materials & Techniques:
Mezzotint, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/16 × 16 1/4 inches (64 × 41.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

415. George, first Marquis Townshend

George, first Marquis Townshend
Creator:
Print made by Charles Turner, 1774–1857
Date:
1807
Materials & Techniques:
Mezzotint (only state) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 1/2 × 15 3/4 inches (67.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

416. Albertus Princeps Com Aremberg

Albertus Princeps Com Aremberg
Creator:
Print made by Schelte A. Bolswert, 1586–1659
Date:
ca. 1635
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 1/16 inches (24.1 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. Albertus Princeps Com Aremberg

Albertus Princeps Com Aremberg
Creator:
Print made by Schelte A. Bolswert, 1586–1659
Date:
ca. 1635
Materials & Techniques:
Line engraving, (2nd state) on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 × 10 15/16 inches (38.3 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. Albertus Princeps Com Aremberg

Albertus Princeps Com Aremberg
Creator:
Print made by Schelte A. Bolswert, 1586–1659
Date:
ca. 1635
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 7 3/16 inches (24.4 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Ioannes T'Serclaes

Ioannes T'Serclaes
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Line engraving and etching, (2nd state) on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 × 15 1/16 inches (27.9 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Ioannes T'Serclaes

Ioannes T'Serclaes
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 × 11 1/16 inches (38.3 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. Don Alvar Bazan

Don Alvar Bazan
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 10 3/8 inches (34.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. Ioannes, Comes Nassouiæ

Ioannes, Comes Nassouiæ
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 9 3/8 inches (32.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. Hannibal Passing the Alps

Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Vede di Mezzo il Fiume un Cavaliero...

Vede di Mezzo il Fiume un Cavaliero...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Cannon Foundry

Cannon Foundry
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. Camillus Rescuing Rome From Brennus

Camillus Rescuing Rome From Brennus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Line engraving and stipple engraving, sepia
Dimensions:
Sheet: 17 1/8 x 22 1/4in. (43.5 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. Wrapper for Ports of England

Wrapper for Ports of England
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Encampment at Fornham near St. Edmund's Bury

Encampment at Fornham near St. Edmund's Bury
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1782
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 25 5/16 inches (38.4 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. View of Mount Edgecumbe from the Blockhouse

View of Mount Edgecumbe from the Blockhouse
Creator:
James Mason, 1710–1783
Date:
undated
Materials & Techniques:
Colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 1/2 × 23 5/16 inches (41.9 × 59.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. His Majesty Reviewing His Troops on Black Heath

His Majesty Reviewing His Troops on Black Heath
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1797
Materials & Techniques:
Aquatint, etching, and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 13/16 × 28 inches (47.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. Death of Captain Alexander Hood

Death of Captain Alexander Hood
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1798
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. Wrapper for Ports of England

Wrapper for Ports of England
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798
Creator:
Richard Livesay, 1753–1826
Date:
1799
Materials & Techniques:
Aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. The Death of Sir Philip Sydney

The Death of Sir Philip Sydney
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. William, Earl of Craven

William, Earl of Craven
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 12 1/4 x 7 15/16in. (31.1 x 20.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Wrapper to 'The Ports of England'

Wrapper to 'The Ports of England'
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. Portsmouth

Portsmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828
Materials & Techniques:
Mezzotint, engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 19 3/8 inches (34 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. South East View of tLand-Guard Fort, in Suffolk

South East View of tLand-Guard Fort, in Suffolk
Creator:
Thomas Major, 1714–1799
Date:
1754
Materials & Techniques:
Line engraving on thick, rough, cream wove paper
Dimensions:
Sheet: 15 5/8 × 23 1/2 inches (39.7 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action

Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action
Creator:
Anker Smith, 1759–1819
Date:
1822
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 26 1/4 × 36 1/2 inches (66.7 × 92.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. Ports of England, Title Page and Wrapper

Ports of England, Title Page and Wrapper
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Cavalry Man Attacking Foot Soldiers

Cavalry Man Attacking Foot Soldiers
Creator:
Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1759
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
Creator:
Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. The Review of the Queens Own Regiment of the Yeomanry Cavalry

The Review of the Queens Own Regiment of the Yeomanry Cavalry
Creator:
Henry Papprill, 1816–d.after 1883
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. The Birth of Pyrrhus

The Birth of Pyrrhus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Sheerness, As Seen From the Nore

Sheerness, As Seen From the Nore
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1856
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 5/8 inches (27.6 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. Hannibal Crossing the Alps

Hannibal Crossing the Alps
Creator:
Print made by John Cousen, 1804–1880
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. Wrapper to 'The Ports of England'

Wrapper to 'The Ports of England'
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. Portsmouth

Portsmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. Sheerness, As Seen From the Nore

Sheerness, As Seen From the Nore
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Paris from the Barriere de Passy

Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. Hougomont (Vignette)

Hougomont (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/4 × 10 3/4 inches (41.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. Loch-Leven Castle

Loch-Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1844
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)
Creator:
J. Miller, active 1769–1825
Date:
1762
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 28 1/8 inches (49.2 × 71.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. St. Sophia, Constantinople

St. Sophia, Constantinople
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving, third state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 8 7/16 inches (27.3 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. The Double Deliverance, 1588–1605

The Double Deliverance, 1588–1605
Creator:
Print made by unknown artist
Date:
1621
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. The Death Of Sir Philip Sidney

The Death Of Sir Philip Sidney
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. The Encampment at Brighton

The Encampment at Brighton
Creator:
John Murphy, ca. 1748–1820
Date:
1797
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 7/8 × 31 1/2 inches (60.6 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. The Volunteers of the City and County of Dublin

The Volunteers of the City and County of Dublin
Creator:
Print made by Joseph Collyer, 1748–1827
Date:
1784
Materials & Techniques:
Etching and engraving, printed in color and hand-colored
Dimensions:
Image: 16 1/2 x 25in. (41.9 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. Edward Hawke, 1st Baron Hawke

Edward Hawke, 1st Baron Hawke
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Stipple engraving and etching in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 7 11/16 inches (28.2 x 19.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Sir James Wishart

Sir James Wishart
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
between 1794 and 1798
Materials & Techniques:
Stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 × 3 3/4 inches (13.9 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Mount Moriah

Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, Engraving, proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. The Sea! The Sea!

The Sea! The Sea!
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. HMS Bellerophon, Plymouth Sound

HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving with scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. The Simplon

The Simplon
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 × 11 3/8 inches (43.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. Lochiel's Warning

Lochiel's Warning
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. Battle of the Baltic

Battle of the Baltic
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Battle of the Baltic

Battle of the Baltic
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. Hohenlinden

Hohenlinden
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Rolandseck (Vignette)

Rolandseck (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany
Creator:
Print made by John Smith, 1652–1743
Date:
between 1667 and 1723
Materials & Techniques:
Mezzotint hand-colored with watercolor and gouache on medium, moderately textured, cream laid paper mounted on card
Dimensions:
Mount: 13 5/8 x 10 1/4 inches (34.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

479. Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 1/8 × 34 1/16 inches (58.7 × 86.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

483. Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Alfred in the Danish Camp

Alfred in the Danish Camp
Creator:
Print made by Anker Smith, 1759–1819
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

485. Calcutta

Calcutta
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
ca. 1845
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 10 1/4 inches (16.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

486. View of the Assault on the Fortress of Bhurtpore

View of the Assault on the Fortress of Bhurtpore
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Halftone photomechanical print on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 12 inches (25.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

487. Officer 7th Bombay Lancers

Officer 7th Bombay Lancers
Creator:
Print made by John Charlton, 1849–1917
Date:
1897
Materials & Techniques:
Chromolithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 1/8 inches (36.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

488. The First Relief of Lucknow

The First Relief of Lucknow
Creator:
Print made by unknown artist
Date:
1888
Materials & Techniques:
Wood-engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

489. Officer Central India Horse

Officer Central India Horse
Creator:
Print made by John Charlton, 1849–1917
Date:
1897
Materials & Techniques:
Chromolithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 1/8 inches (36.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

490. The Fall of Tippoo Saib

The Fall of Tippoo Saib
Creator:
Print made by Walker, active 1850s
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 3/4 inches (17.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

491. Officer 1st Bombay Lancers

Officer 1st Bombay Lancers
Creator:
Print made by John Charlton, 1849–1917
Date:
1897
Materials & Techniques:
Chromolithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 1/8 inches (36.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

492. German Tanks, Forges-les-Eaux

German Tanks, Forges-les-Eaux
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

493. North of Rouen, South of the Somme: A Crossroads in France

North of Rouen, South of the Somme: A Crossroads in France
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 1/2in. (49.5 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

494. Clay Feet

Clay Feet
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

495. Getting out at Cherbourg

Getting out at Cherbourg
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

496. Crossing the Seine

Crossing the Seine
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 3/4 x 23 3/4in. (50.2 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

497. Returning to the Trenches

Returning to the Trenches
Creator:
Print made by C. R. W. Nevinson, 1889–1946
Date:
1916
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 7/16 x 11 1/16 inches (21.4 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

498. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Creator:
Published by Giovanni Giacomo de Rossi, 1627–1691
Date:
between 1546 and 1590
Materials & Techniques:
Bound volume of intaglio prints on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. Camouflage I (Second State)

Camouflage I (Second State)
Creator:
Print made by Jane Dixon, born 1963
Date:
2004
Materials & Techniques:
Etching on Hahnemuhle wove paper
Dimensions:
Sheet: 24 3/4 × 30 inches (62.9 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Michael's parents, Edith Silker Zirinisky and Nahman Zirinsky

500. Camouflage II (Second State)

Camouflage II (Second State)
Creator:
Print made by Jane Dixon, born 1963
Date:
2004
Materials & Techniques:
Screenprint on Somerset white wove paper
Dimensions:
Sheet: 24 3/4 × 30 3/4 inches (62.9 × 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Michael's parents, Edith Silker Zirinisky and Nahman Zirinsky