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Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Grindelwald
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A General View of Paris taken from Chaillot
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, (Engraver's Proof c) on moderately thick, slightluy textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Confluence of the Seine and Marne
Creator:
James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper mounted on cream wove paper
Dimensions:
Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Harfleur

Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving (2nd state)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lambeth Palace
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 7/8 × 5 9/16 inches (7.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bishop's Bridge, Norwich
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 11 3/4 inches (19.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Harfleur

Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Etching and line engraving with scratching out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tournon Opposite to Teint on the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Harfleur

Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slighly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
San Pier d'Arena
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 x 10 3/8 inches (16.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ascent to the Cascade of Terni
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 7/8 inches (18.4 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Between Ambrogiana and La Lastra
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oval Hilly Landscape
Creator:
Richard Cooper the Elder, 1701–1764
Date:
ca. 1780
Materials & Techniques:
Graphite, brown wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 7/8in. (18.4 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Greenwich

Greenwich
Creator:
pupil of Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/8 x 9 3/4 inches (33.3 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Thames
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on medium, rough, cream wove paper
Dimensions:
Sheet: 21 3/4 x 34 1/8 inches (55.2 x 86.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Devil's Bridge, Aberystwyth
Creator:
Rev. Charles Annesley, 1787–1863
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection