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1
- An empire between
- 2008
2
- Elasticity and sculptural form
- 2014
3
- Heart and flesh
- 2004
4
- "The faithless column and the crumbling bust"
- 2004
5
- Gazing on Parian charms with learned eyes
- 2014
6
- The English pastoral in art and music
- 2007
7
- When this you see
- 2006
8
- "Art of wealth"
- 2013
9
- The face as index of the soul
- 2007
10
- The English-British blur
- 2008
11
- The inventions of technical art history
- 2004
12
- Beyond fashion and fear
- 2014
13
- Joseph Wright and provincial cosmopolitanism
- 2008
14
- Blood of Vilseck
- 2006
15
- Andrew W. Mellon
- 2006
16
- Roanoke and the colonial origins of the dismal science
- 2008
17
- The legacies of slavery and emancipation
- 2007
18
- "Attempting impossibilities"
- 2015
19
- The ordeal of Elizabeth Marsh
- 2007
20
- Authorial identity and the languages of Late Elizabethan and Jacobean portraiture
- 2013
21
- Portraiture in Shakespeare's London
- 2006
22
- Robert Burns and Scottish independence
- 2012
23
- Failures of containment
- 2014
24
- Uneasy pieces
- 2005
25
- Sculpture on the threshold
- 2015
26
- Photograph, Raje-Gaut, Bahar
- [approximately 1870?]
27
- Mapwork
- 2006
28
- Observation in the Englightenment
- 2007
29
- Hogarth's Marriage A-la-mode
- 2013
30
- Turner
- 2013
31
- Hogarth's Marriage A-la-Mode
- c1997
32
- Art and music in medieval Britain
- 2006
33
- Pope, poet and friend
- 2014
34
- Emporium of images
- 2012
35
- Reflections on the slave trade
- 2006
36
- Princes and goldsmiths
- 2006
37
- "I never saw that you did painting need"
- 2006
38
- Animating the canvas
- 2014
39
- Candidates for fame
- 2006
40
- The art of natural history in John White's London
- 2008
41
- Classicism in color
- 2008
42
- Moving rooms
- 2007
43
- Brave tars and glorious commanders
- 2016
44
- Oil on water
- 2008
45
- Moggerhanger
- 2006
46
- [Introductory lecture prior to the screening of Gilbert and George, a documentary film]
- 2008
47
- The military artist in Jamaica and India
- 2013
48
- Inspiration and eccentricity
- 2014
49
- Venetian color on Albion's shore
- 2008
50
- Making masterpieces
- c1997
51
- John White, Richard Hakluyt, and the creation of American icons
- 2008
52
- Music still lives in Italy
- 2012
53
- Slaves waiting for sale
- 2012
54
- "What lies beneath"
- 2005
55
- Elgar's Second symphony
- 2013
56
- Jamaican/Caribbean collective creative imagination
- 2007
57
- The future of research
- 2012
58
- Basic deterioration and preventive measures for museum collectons
- 2013
59
- History of nothing
- 1963
60
- My civilization
- 2008
61
- An artful management
- 2007
62
- Rediscovering William Hodges
- 2005
63
- Beyond the picturesque
- 2014
64
- Postdramatic theater
- 2007
65
- Worlds of performance
- 2007
66
- Liveness
- 2007
67
- Intercultural performance
- 2007
68
- Extensive ritual
- 2007
69
- Movement and meaning
- 2007
70
- What is performance
- 2007
71
- Performing subjects, performing artists
- 2007
72
- Play
- 2007
73
- Intensive ritual
- 2007
74
- Performance analysis
- 2007
75
- Performance
- 2007
76
- British art & society's mirror
- 2013
77
- British art & society's mirror
- 1994
78
- Paul Mellon: the galloping Anglophile
- 2007
79
- The company of artists
- 2013
80
- John Virtue
- 2006
81
- Rx for sick books from NYAM
- [2003?]
82
- Shakespeare's London
- 2006
83
- The story of the Venetian villas
- c1973
84
- Putting Wilson on the spot
- 2014
85
- "Stiffen the sinews, summon up the blood"
- 2013
86
- "Punch has no feelings"
- 2013
87
- Making history
- 2013
88
- "An unjointed caterpillar"
- 2013
89
- "All the original music"
- 2013
90
- Object-based learning, creative thinking, and the relevant museum
- 2014
91
- Painting (v.) as image/painting (n.) as object
- 2007
92
- Collectors, benefactors, scholarship and the public
- 2006
93
- Charters for the spirit
- 2007
94
- "Grand Niagara"
- 2013
95
- John Virtue
- c2005
96
- African art in Europe today
- 2005
97
- For an excellent purpose
- 2007
98
- Like a Cremona violin
- 2008
99
- "Magick Land"
- 2013
100
- Revealing Kew Palace
- 2006