On-site Access: Accessible by appointment in the Study Room / Collective Title: Picturesque Views in England and Wales

1. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Castle Upnor

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Stoneyhurst, Lancashire

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1830
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and engraving, touched with graphite (Engraver's Proof)
Dimensions:: Plate: 10 x 12in. (25.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; completed engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, First state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 12 1/2 inches (25.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Dustanborough Castle

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1830
Materials & Techniques:: Line engraving, 3rd state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 15/16 inches (27.5 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Plymouth, Devonshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1832
Materials & Techniques:: Line engraving, 3rd state on thick, smooth, beige wove paper
Dimensions:: Sheet: 10 5/8 × 14 13/16 inches (27 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Nottingham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Plymouth, Devonshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Nottingham, Nottinghamshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Nottingham, Nottinghamshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Nottingham, Nottinghamshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof, touched with graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Etching and engraving, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 13/16 inches (26.8 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Prudoe Castle, Northumberland

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Prudoe Castle, Northumberland

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 50 × 22 1/2 inches (127 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Fall of the Tees

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 12 1/4 × 15 1/4 inches (31.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 3/8 inches (42.2 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Fall of the Tees

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 7/8 inches (42.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 1/2 inches (42.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Fall of the Trees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Fall of the Tees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Prudoe Castle, Northumberland

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Prudoe Castle, Northumberland

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1828
Materials & Techniques:: Line engraving, 4th state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 12 5/16 inches (25.4 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Winchelsea, Sussex

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Winchelsea, Sussex

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Winchelsea, Sussex

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1830
Materials & Techniques:: Line engraving, stipple eengraving and etching, 2nd state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Winchelsea, Sussex

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1830
Materials & Techniques:: Line engraving, stipple engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Line engraving, first published state on thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Line engraving and etching, 3rd state on thick, smooth, beige wove paper
Dimensions:: Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Laugharne Castle

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/16 × 11 7/8 inches (23.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Folkstone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 3/4 inches (27.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Folkestone, Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Laugharne Castle

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, 3rd state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (First Published State)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Boston, Lincolnshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, graphite and scratching out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (completed) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Worcester, Worcestershire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched with graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Worcester, Worcestershire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (completed)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Lyme Regis

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Kidwelly Castle, South Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1837
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Kidwelly Castle, South Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collective Title Picturesque Views in England and Wales

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1. Castle Upnor, on the River Medway

2. Castle Upnor, on the River Medway

3. Castle Upnor

4. Stoneyhurst, Lancashire

5. Gosport, Entrance to Portsmouth Harbor

6. Orford, Suffolk

7. Orford, Suffolk

8. Lancaster Sands

9. Lancaster Sands

10. Lancaster Sands

11. Orford, Suffolk

12. Orford, Suffolk

13. Orford, Suffolk

14. Orford, Suffolk

15. Lancaster Sands

16. Dustanborough Castle

17. Gosport, Entrance to Portsmouth Harbor

18. Plymouth, Devonshire

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22. Nottingham, Nottinghamshire

23. Nottingham, Nottinghamshire

24. Plymouth, Devonshire

25. Plymouth, Devonshire

26. Plymouth, Devonshire

27. Coventry, Warwickshire

28. Coventry, Warwickshire

29. Coventry, Warwickshire

30. Mount St. Michael, Cornwall

31. Mount St. Michael, Cornwall

32. Mount St. Michael, Cornwall

33. Crickieth Castle, North Wales

34. Crickieth Castle, North Wales

35. Coventry, Warwickshire

36. Crickieth Castle, North Wales

37. Mount St. Michael, Cornwall

38. Prudoe Castle, Northumberland

39. Aldborough, Suffolk

40. Aldborough, Suffolk

41. Prudoe Castle, Northumberland

42. Aldborough, Suffolk

43. Fall of the Tees

44. Rievaulx Abbey, Yorkshire

45. Rievaulx Abbey, Yorkshire

46. Fall of the Tees

47. Rievaulx Abbey, Yorkshire

48. Aldborough, Suffolk

49. Aldborough, Suffolk

50. Fall of the Trees, Yorkshire

51. Fall of the Tees, Yorkshire

52. Aldborough, Suffolk

53. Prudoe Castle, Northumberland

54. Rievaulx Abbey, Yorkshire

55. Rievaulx Abbey, Yorkshire

56. Prudoe Castle, Northumberland

57. Winchelsea, Sussex

58. Winchelsea, Sussex

59. Winchelsea, Sussex

60. Winchelsea, Sussex

61. Ely Cathedral, Cambridgeshire

62. Ely Cathedral, Cambridgeshire

63. Ely Cathedral, Cambridgeshire

64. Laugharne Castle, Caermarthenshire

65. Laugharne Castle, Caermarthenshire

66. Laugharne Castle, Caermarthenshire

67. Folkestone: Harbour, and Coast to Dover, Kent

68. Folkestone: Harbour, and Coast to Dover, Kent

69. Malvern Abbey and Gate, Worcestershire

70. Malvern Abbey and Gate, Worcestershire

71. Laugharne Castle

72. Folkstone: Harbour, and Coast to Dover, Kent

73. Malvern Abbey and Gate, Worcestershire

74. Folkestone, Harbour, and Coast to Dover, Kent