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Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

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101. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
John Piper, 1903–1992
Date:
1942
Materials & Techniques:
Pen and black ink, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

102. London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 7/8 inches (19.7 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. London Cries: A Muffin Man

London Cries: A Muffin Man
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. The Procession of the Knights of the Most Noble Order of the Garter

The Procession of the Knights of the Most Noble Order of the Garter
Creator:
Richard Cooper the Younger, 1740–1814
Date:
1782
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Study for Thermaie Antoniniane

Study for Thermaie Antoniniane
Creator:
Sir Lawrence Alma-Tadema, 1836–1912
Date:
1899
Materials & Techniques:
Graphite on medium, slightly textured, white wove paper
Dimensions:
Sheet: 6 x 10 3/8 inches (15.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

107. A Plumed Saddle-Horse

A Plumed Saddle-Horse
Creator:
Attributed to Inigo Jones, 1573–1652
Date:
ca. 1640
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 5 inches (14.3 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. The Old Road: Elegy for the English Elm I

The Old Road: Elegy for the English Elm I
Creator:
Print made by Robin Tanner, 1904–1988
Date:
1976
Materials & Techniques:
Etching on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 13 x 10 3/8 inches (33 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

109. King's College, Cambridge, from Trinity

King's College, Cambridge, from Trinity
Creator:
Print made by John Piper, 1903–1992
Date:
ca. 1954
Materials & Techniques:
Lithograph on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 20 3/8 x 26 7/8 inches (51.8 x 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. A Bedouin Encampment; or, Bedouin Arabs

A Bedouin Encampment; or, Bedouin Arabs
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1841 and 1851
Materials & Techniques:
Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Man in Egyptian Dress

Man in Egyptian Dress
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, white gouache, black chalk, red chalk, and graphite with scratching out on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 17 x 11 1/2 inches (43.2 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Mr. William Williams

Mr. William Williams
Creator:
Frederick Tatham, 1805–1878
Date:
ca. 1830
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

113. Reclining Figure

Reclining Figure
Creator:
Henry Moore, 1898–1986
Date:
1939
Materials & Techniques:
Black chalk, white chalk, graphite, gray wash and crayon on medium, slightly textured, beige wove paper
Dimensions:
Frame: 30 3/4 x 35 1/2 x 3 inches (78.1 x 90.2 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

114. William William's Second Wife

William William's Second Wife
Creator:
Frederick Tatham, 1805–1878
Date:
ca. 1830
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

115. Key to Life School at the Royal Academy

Key to Life School at the Royal Academy
Creator:
Print made by unknown artist
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1770
Materials & Techniques:
Black chalk, white chalk, gray wash and stumping on thin, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 1/2 x 13 inches (26.7 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund

117. An Academy

An Academy
Creator:
John Hamilton Mortimer, 1740–1779
Date:
ca. 1773
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 19 3/8 inches (31.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

118. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

119. A Moonlit Landscape with Cattle by a Pool

A Moonlit Landscape with Cattle by a Pool
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

120. The Great Temple of Amon Karnak, The Hypostyle Hall

The Great Temple of Amon Karnak, The Hypostyle Hall
Creator:
David Roberts, 1796–1864
Date:
1838
Materials & Techniques:
Watercolor and gouache with scratching out and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Banqueting House, Whitehall: Front Elevation

Banqueting House, Whitehall: Front Elevation
Creator:
Thomas Forster, ca. 1677–after 1712
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 x 14 inches (26.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Mountain Landscape with Figures, Sheep and Fountain

Mountain Landscape with Figures, Sheep and Fountain
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Gray wash, black wash, white wash and black chalk with varnish on medium, slightly textured, cream laid paper, laid onto wove paper
Dimensions:
Sheet: 8 1/2 x 11 7/8 inches (21.6 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Open Landscape with Figures, Cows and Cottage

Open Landscape with Figures, Cows and Cottage
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Brown chalk, white chalk with gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 12 3/8 inches (26 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. A Tiger Lying in the Entrance of a Cave

A Tiger Lying in the Entrance of a Cave
Creator:
Elizabeth Pringle, active ca. 1800
Date:
1796
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 24 inches (48.9 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Wooded Landscape with Country Cart and Figures

Wooded Landscape with Country Cart and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Black and white chalk, gray wash and black wash on medium, slightly textured, antique buff wove paper prepared with gray
Dimensions:
Sheet: 9 3/4 x 13 inches (24.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Study of a Back of a Female Nude, Standing

Study of a Back of a Female Nude, Standing
Creator:
attributed to Henry Fuseli, 1741–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 3 5/8 inches (16.5 x 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection