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Materials & Techniques aquatint

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On-site Access Accessible by appointment in the Study Room

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Genre literary theme

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1. Here Nature List'ning Stood

Here Nature List'ning Stood
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1795
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Hamlet

Hamlet
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Troilus and Cressida, Act 4, Scene II

Troilus and Cressida, Act 4, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. King Lear, Act 4, Scene VII

King Lear, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Troilus and Crssida, Act 3, Scene II

Troilus and Crssida, Act 3, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Mrs. Robinson

Mrs. Robinson
Creator:
Print made by William Birch, 1755–1834
Date:
1792
Materials & Techniques:
Stipple engraving and acquatint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 × 5 7/16 inches (17.8 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Little Red Riding Hood

Little Red Riding Hood
Creator:
Print made by imitator of George Baxter, 1804–1867
Date:
after 1856
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Undertakers

The Undertakers
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

9. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Antony and Cleopatra, Act I, Scene II

Antony and Cleopatra, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and hand-colored brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ophelia vide Hamlet, Act 4, Scene VII

Ophelia vide Hamlet, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Miracle of Purun Bhagat

The Miracle of Purun Bhagat
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

13. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1792
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Creator:
Print made by Charles Gauthier Playter, died 1809
Date:
1793
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1789
Materials & Techniques:
Stipple engraving and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Bauldy, Symon and Sir William Worthy

Bauldy, Symon and Sir William Worthy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

18. In Horne's House

In Horne's House
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1982
Materials & Techniques:
Etching, aquatint, soft-ground etching, stipple engraving, line engraving, lift-ground, and spit-bite on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 3/4 × 22 1/8 inches (75.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

19. How a Great Daily Organ is Turned Out

How a Great Daily Organ is Turned Out
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1990
Materials & Techniques:
Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

20. The Transmogrifications of Bloom

The Transmogrifications of Bloom
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1984 to 1985
Materials & Techniques:
Soft-ground etching and aquatint on medium, smooth, white Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 5/16 inches (76 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

21. Sigismonda

Sigismonda
Creator:
Print made by Benjamin Smith, 1775–1833
Date:
1795
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

22. The Franklin's Tale

The Franklin's Tale
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

23. The Shipman's Tale

The Shipman's Tale
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

24. Leopold Bloom

Leopold Bloom
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1983
Materials & Techniques:
Soft ground etching, roulette, line engraving and aquatint on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 30 × 22 3/8 inches (76.2 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

25. Prologue

Prologue
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

26. Chanticleer and Pertelote

Chanticleer and Pertelote
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1970
Materials & Techniques:
Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:
Sheet: 15 7/8 × 23 3/8 inches (40.3 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

27. The Miller's Tale I

The Miller's Tale I
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:
Sheet: 23 1/2 × 15 3/4 inches (59.7 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

28. The Miller's Tale II

The Miller's Tale II
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:
Sheet: 23 3/8 × 15 1/2 inches (59.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

29. Wife of Bath's Tale

Wife of Bath's Tale
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 1/8 inches (80 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

30. The Nun's Priest Tale

The Nun's Priest Tale
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

31. The Squire's Tale

The Squire's Tale
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

32. The Merchant's Tale

The Merchant's Tale
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

33. The Reeve's Tale

The Reeve's Tale
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1972
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

34. The Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. On Greenhow Hill

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 8 inches (26 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

37. The Mutiny of the Mavericks

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 8 inches (23.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

38. The Taking of Lungtungpen

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 10 3/4 inches (19.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

39. Beyond the Pale

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on thin, slightly textured, beige modern laid paper
Dimensions:
Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

40. A Matter of Fact

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on thin, slightly textured, beige modern laid paper
Dimensions:
Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

41. In the House of Suddhoo

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on thin, slightly textured, beige modern laid paper
Dimensions:
Sheet: 7 1/2 × 9 1/4 inches (19.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

42. The Man Who Would Be King

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, slightly textured, blued white laid paper
Dimensions:
Sheet: 7 1/2 × 9 1/4 inches (19.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

43. William the Conqueror

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

44. The Judgement of Dungara

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

45. A Tragedy of Sophocles Performed before the Emperor Hadrian

No cover image available
Creator:
Print made by William Walcot, 1874–1943
Date:
1913
Materials & Techniques:
Etching and aquatint on moderately thick, slighly textured, cream wove paper
Dimensions:
Sheet: 25 1/2 × 26 inches (64.8 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

46. The Trojan Horse

No cover image available
Creator:
Print made by William Walcot, 1874–1943
Date:
1914
Materials & Techniques:
Etching, open biting, and aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 27 3/4 × 34 1/2 inches (70.5 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. The Mark of the Beast

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

48. Without Benefit of Clergy

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1900
Materials & Techniques:
Etching and aquatint on medium, smooth, beige laid paper
Dimensions:
Sheet: 8 5/8 × 10 7/8 inches (21.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood