Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
402
William S. Leney, 1769–1831
Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
1803
403
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
404
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
405
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
406
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
407
Thomas Ryder, 1746–1810
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1796
408
Benjamin West, 1738–1820
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
409
L. Truchy, 1721–1764
Sir John Falstaff in the Buck Basket
410
George Vertue, 1684–1756
Edward IV King of England and France, Lord of Ireland
1732
411
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
412
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
413
Edward Scriven, 1775–1841
Julius Caesar: Act IV Scene III: Brutus' Tent ..
1802
414
Charles Grignion, 1717–1810
Mr. Garrick in the Charakter (sic) of Richard the 3D
1746
415
Print made by Caroline Watson, 1760–1814
Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
1803
416
Isaac Cruikshank, 1764–1811
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3)
1795
417
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
418
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
419
Samuel William Reynolds, 1773–1835
Garrick, In the Character of Abel Drugger
1825
420
Samuel Middiman, ca. 1750–1831
Shakespeare's Winter Tale Act III Scene III
1794
421
unknown artist
Prospero on the Enchanted Island
1798
422
Samuel Middiman, ca. 1750–1831
Winter's Tale, Act III, Scene III
1794
423
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene i, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1795
424
Print made by John Horsburgh, 1791–1869
Shakespeare's Monument at the Church at Stratford upon Avon
1834
425
unknown artist
Shakespeare Illustration: "Henry VIII"
undated
426
Robert Thew, 1758–1802
Hamlet, Prince of Denmark: Act I, Scene iv, Platform before the Palace of Elsineur--Hamlet, Horatio, Marcellus and the Ghost
1803
427
Print made by Francis Legat, 1755–1809
Hamlet: Act IV, Scene V, Elsinore -- King, Queen, Laertes, Ophelia, etc
1803
428
Benjamin Smith, 1775–1833
The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
1799
429
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
430
Thomas Ryder, 1746–1810
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1803
431
Francesco Bartolozzi, 1728–1815
Cicero
1790
432
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
433
John Hamilton Mortimer, 1740–1779
Ophelia, from Hamlet, Act IV, Scene 7
1775
434
John Ogborne the Elder, 1755–1795
As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
1801-1803
435
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
436
Peltro W. Tomkins, 1760–1840
As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
1801
437
John Frederick Tayler, 1802–1889
Two Huntsmen
1853
438
Robert Acon, 1792-1880
St. Jame's, Garrick Hill
undated
439
unknown artist
Falstaff reproved by King Henry
1792
440
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
441
John Jones, ca. 1745–1797
Beatrice, Hero and Ursula
ca. 1771
442
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
443
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
444
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
445
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
446
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
447
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
448
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
449
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
450
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
451
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
452
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
453
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
454
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
455
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
456
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
457
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
458
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
459
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
460
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
461
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
462
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
463
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
464
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
465
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
466
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
467
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
468
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
469
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
470
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
471
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
472
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
473
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
474
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
475
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
476
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
477
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
478
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
479
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
480
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
481
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
482
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
483
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
484
Robert Smirke, 1752–1845
The Gem for 1830
485
Robert Smirke, 1752–1845
Untitled: Cesar Passing the Rubicon
486
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
487
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
488
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
489
Pieter van Bleeck, 1700–1764
Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
490
John Neagle, 1796–1865
Winter's Tale, Act 3, Scene 3
1803
491
Print made by James Ward, 1769–1859
Mrs. Michael Angelo Taylor as 'Miranda'
ca. 1798
492
Print made by Abraham Raimbach, 1784–1868
Antony and Cleopatra Act IV Sc. 8
1805
493
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
494
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Sayings
1828
495
John Phillips, active 1840–1852
One of a set of four: Much Ado About Nothing or Illustrations of Old Savings