Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection

301. Coombe Wood

Creator:: John Constable, 1776–1837
Date:: 1812
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 x 5 1/8 inches (8.6 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Helmingham: The Silent Pool

Creator:: John Constable, 1776–1837
Date:: ca. 1800
Materials & Techniques:: Graphite with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 11 7/8 inches (18.1 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Dedham Vale from Langham

Creator:: John Constable, 1776–1837
Date:: between 1830 and 1831
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Wormingford Church

Creator:: attributed to John Constable, 1776–1837
Date:: between 1813 and 1815
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/8 inches (18.4 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Old Sarum at Noon

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/8 x 13 1/4 inches (23.2 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Dedham Vale from Langham

Creator:: John Constable, 1776–1837
Date:: ca. 1813
Materials & Techniques:: Graphite on medium, rough, beige laid paper
Dimensions:: Sheet: 7 1/8 x 11 3/8 inches (18.1 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Shipping on the Thames

Creator:: John Constable, 1776–1837
Date:: ca. 1818
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 1/8 inches (9.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Four East Indiamen at Archor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 12 3/4 inches (19.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk and white chalk with stumping on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Two Studies of Dedham Church from the East

Creator:: John Constable, 1776–1837
Date:: between 1806 and 1808
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Two Ships at Anchor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 9 7/8 inches (20 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Leatherhead Church, Near Epsom, from the Northeast

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. A Country Girl in the Lake District

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 2 3/4 inches (17.1 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Two Figures by a River

Creator:: John Constable, 1776–1837
Date:: between 1807 and 1809
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 4 7/8 inches (8.9 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Hampstead Heath

Creator:: John Constable, 1776–1837
Date:: 1820
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 3 1/4 x 4 7/8 inches (8.3 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Landscape with Windmill

Creator:: attributed to John Constable, 1776–1837
Date:: between 1825 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper laid to card
Dimensions:: Sheet: 4 1/4 x 7 7/8 inches (10.8 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Study for Cottage in Cornfield, East Bergholt

Creator:: attributed to John Constable, 1776–1837
Date:: ca. 1833
Materials & Techniques:: Graphite and brown wash on medium, smooth, beige wove paper mounted to card
Dimensions:: Sheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. The First Stage of Cruelty

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 x 1 5/8 inches (4.8 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 1/2 inches (5.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 1 1/2 x 1 5/8 inches (3.8 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

Creator:: William Hogarth, 1697–1764
Date:: 1718
Materials & Techniques:: Line engraving (reprint)
Dimensions:: Plate: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 5/8 inches (4.4 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Southwark Fair

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. A Rake's Progress, Plate II: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. A Consultation of Physicians

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 7in. (21.9 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. The Sleeping Congregation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. The Distrest(ed) Poet

Creator:: William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Strolling Actresses Dressing in a Barn

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 21 3/16in. (41.9 x 53.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. The Four Times of Day, Plate IV: Night

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 14 1/2in. (44.1 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. The Four Times of Day, Plate II: Noon

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching and engraving, second state
Dimensions:: Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. The Four Times of Day, Plate I: Morning

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. A Rake's Progress, Plate III: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. A Rake's Progress, Plate I: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. A Rake's Progress, Plate IV: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. A Rake's Progress, Plate VIII: In Bedlam

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. A Rake's Progress, Plate VI: He Gambles

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Colombus breaking the Egg

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 1/2 x 6 7/8in. (14 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. A Rake's Progress, Plate VII: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Scholars at a Lecture (A Chorus of Singers)

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/8 x 6 7/8in. (20.6 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. The Stage Coach; Or Country Inn Yard

Creator:: William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/16 x 11 3/4in. (20.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. The First Stage of Cruelty: First, Children Torturing Animals

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Subscription Ticket: Three Characters and Four Caricaturas

Creator:: William Hogarth, 1697–1764
Date:: 1743
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/8 x 8 15/16in. (23.8 x 22.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Simon Lord Lovat

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 1/8 x 8 7/8in. (33.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. The Polling, Plate III

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. An Election Entertainment, Plate I

Creator:: William Hogarth, 1697–1764
Date:: 1755-58
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. The Invasion, Plate I: France

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. The Bench

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. The Cockpit

Creator:: William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/2 x 15in. (31.8 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching
Dimensions:: Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Prospectus print "Crown & Mitre"

Creator:: William Hogarth, 1697–1764
Date:: 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Analysis of Beauty, Plate II: A Country Dance

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Chairing the Members, Plate IV

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. The Invasion, Plate II: England

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. The Laughing Audience

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 1/2 x 6 7/8in. (19.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Gulielmus Hogarth

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/16 x 11 3/8in. (38.3 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Fair Scene

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. William Hogarth

Creator:: William Hogarth, 1697–1764
Date:: 1764
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Benjamin Read

Creator:: William Hogarth, 1697–1764
Date:: ca. 1757
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Gabriel Hunt

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Hymen

Creator:: William Hogarth, 1697–1764
Date:: ca. 1748
Materials & Techniques:: Black chalk on medium, slightly textured, brown paper
Dimensions:: Sheet: 19 1/2 x 14 1/2 inches (49.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793 to 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. A View of Boppart, with Figures on the River Bank

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Coast Scene with White Cliffs and Boats on Shore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/8 inches (18.4 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Windsor Castle and Park with Deer

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 11 3/8 inches (20.7 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Cricket on the Goodwin Sands

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor, gouache and white chalk on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Fishing Boats Becalmed off le Havre

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/4 inches (14 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. View of Ely Cathedral

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 5/8in. (10.5 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Ship Aground Brighton

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, brushed black ink, gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Corsica

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1830 and 1835
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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301. Coombe Wood

302. Helmingham: The Silent Pool

303. Dedham Vale from Langham

304. Wormingford Church

305. Old Sarum at Noon

306. View near Arundel

307. Dedham Vale from Langham

308. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

309. Shipping on the Thames

310. Four East Indiamen at Archor

311. Wooded Slope with a Receding Road

312. Two Studies of Dedham Church from the East

313. Two Ships at Anchor

314. Leatherhead Church, Near Epsom, from the Northeast

315. A Country Girl in the Lake District

316. Two Figures by a River

317. Hampstead Heath

318. Dawn

319. Landscape with Windmill

320. Study for Cottage in Cornfield, East Bergholt

321. The First Stage of Cruelty

322. Grotesque Female Head

323. Grotesque Male Head

324. Grotesque Male Head

325. Grotesque Male Head

326. Grotesque Male Head

327. Grotesque Female Head

328. Grotesque Male Head

329. Grotesque Female Head

330. Grotesque Female Head

331. Grotesque Male Head

332. Grotesque Female Head

333. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

334. Grotesque Male Head

335. Grotesque Male Head

336. Grotesque Male Head

337. Grotesque Male Head

338. Southwark Fair

339. A Midnight Modern Conversation

340. A Rake's Progress, Plate II: His Levee

341. A Consultation of Physicians

342. The Sleeping Congregation

343. The Distrest(ed) Poet

344. The Enraged Musician

345. Strolling Actresses Dressing in a Barn

346. And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses

347. The Four Times of Day, Plate IV: Night

348. The Four Times of Day, Plate II: Noon

349. The Four Times of Day, Plate I: Morning

350. A Rake's Progress, Plate III: He Revels

351. A Rake's Progress, Plate I: He Takes Possession

352. A Rake's Progress, Plate IV: Goes to Court

353. A Rake's Progress, Plate V: He Marries

354. A Rake's Progress, Plate VIII: In Bedlam

355. A Rake's Progress, Plate VI: He Gambles

356. Colombus breaking the Egg

357. A Rake's Progress, Plate VII: In Fleet Street Prison

358. Scholars at a Lecture (A Chorus of Singers)

359. The Stage Coach; Or Country Inn Yard

360. The First Stage of Cruelty: First, Children Torturing Animals

361. Subscription Ticket: Three Characters and Four Caricaturas

362. Simon Lord Lovat

363. The Polling, Plate III

364. An Election Entertainment, Plate I

365. The Invasion, Plate I: France

366. The Bench

367. The Cockpit

368. Hogarth Painting the Comic Muse

369. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

370. Prospectus print "Crown & Mitre"

371. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

372. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

373. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

374. Analysis of Beauty, Plate I: A Statuary's Yard