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Materials & Techniques black ink

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Materials & Techniques brown ink

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Creator Bruce, James, 1730–1794

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1. Pl. IX Arch of Caracalla at Tebessa

Pl. IX Arch of Caracalla at Tebessa
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black, brown ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 21 3/8 inches (36.2 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Plan of upright of the semi circular Exedra of Temple at Baalbec

Plan of upright of the semi circular Exedra of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Fragments of Architecture at Temple of Thignica Ain Tunga

Fragments of Architecture at Temple of Thignica Ain Tunga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/8 × 15 3/8 inches (53.7 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Tomb de la Chretienne/ Juba and Cleopatra

Tomb de la Chretienne/ Juba and Cleopatra
Creator:
James Bruce, 1730–1794
Date:
ca. 1769
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Weighing Scale

Weighing Scale
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and brown ink, pen and black ink, and gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Order of the two courts of the Temple at Baalbec

Order of the two courts of the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Measured drawing of section of pediments of temple Baalbec

Measured drawing of section of pediments of temple Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 15 1/4 inches (54.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plan of the most entire temple at Baalbec

Plan of the most entire temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 14 7/8 inches (54.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Plan of the circular temple at Baalbec

Plan of the circular temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 11 1/8 inches (33.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Back view of the same circular temple in its present state

Back view of the same circular temple in its present state
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Order of the Great Temple at Baalbec with descriptive notes attached

Order of the Great Temple at Baalbec with descriptive notes attached
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 30 1/8 × 21 5/8 inches (76.5 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 18 1/4 inches (29.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection