One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
206
Sir Alfred J. Munnings, 1878–1959
Paul Mellon on Dublin
1933
Not on view
207
Harry Hall, 1838–1886
Sir Tatton Sykes Leading in the Horse 'Sir Tatton Sykes' with William Scott Up
1846
Not on view
208
unknown artist
The Death of the Hare
between 1760 and 1770
Not on view
209
Richard Barrett Davis, 1782–1854
George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
1836
Not on view
210
Thomas Hand, died 1804
George Morland on his Hunter
1794
Not on view
211
Sir Alfred J. Munnings, 1878–1959
James Cox Brady, Jr., on Galty Boy
1924
Not on view
212
unknown artist
Antique Letter Box Converted into a Humidor
ca. 1840
Not on view
213
Attributed to John Ferneley, 1782–1860
Lord Edward Thynne’s Snuff Box, Decorated with Foxhunting Scenes by John Ferneley
1832 or 1833
Not on view
214
Carroll Bassett, 1906–1972
Dublin
1934
Not on view
215
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th-mid-19th century
Not on view
216
Staffordshire pottery
A Pugilist: with a blue edged cream shirt and fawn breeches
Not on view
217
Staffordshire pottery
A Pugilist: in fawn shirt and canary breeches
Not on view
218
Staffordshire pottery
Boxers: in pink and yellow breeches, respectively Staffordshire figure group
Not on view
219
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th to mid-19th century
Not on view
220
Herbert Haseltine, 1877–1962
The Chaser: Sergeant Murphy
cast 1963 (original model 1926)
Not on view
221
Tessa Pullan, born 1953
A Horse Lying Down
1992
Not on view
222
Tessa Pullan, born 1953
Mare and Foal
1984
Not on view
223
Herbert Haseltine, 1877–1962
Sudborne Premier, Suffolk Punch Stallion
1964-1965
Not on view
224
Tessa Pullan, born 1953
Glint of Gold
1983
Not on view
225
Adrian Jones, 1845–1938
"Gone Away"
ca. 1887
Not on view
226
John Willis Good, 1845–1879
After the Race
1875
Not on view
227
Herbert Haseltine, 1877–1962
Polo Pony: Perfection
cast 1963 (original model 1933)
Not on view
228
Herbert Haseltine, 1877–1962
The Thoroughbred Horse: Composite Type
cast 1963 (original model 1925)
Not on view
229
Tessa Pullan, born 1953
Sea Hero
ca. 1994
Not on view
230
Adrian Jones, 1845–1938
Horse and Stable Lad
ca. 1890
Not on view
231
Adrian Jones, 1845–1938
The Tetrarch
ca. 1913
Not on view
232
Tessa Pullan, born 1953
Foal
1989
Not on view
233
Simon Erland, Born 1961
Madrigal
1984
Not on view
234
John Willis Good, 1845–1879
Before the Race
1875
Not on view
235
Tessa Pullan, born 1953
Foal
ca. 1990
Not on view
236
unknown artist
Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
18th century
Not on view
237
unknown artist
Scenes of Various Sporting Pursuits: Painted on a Set of Eighteen Victorian Lacquer Buttons, in Two Sized, in Tartan Covered Case
ca. 1850
Not on view
238
unknown artist
[Boxers:] "Spring" and "Langan" - a pair of Staffordshire pearlware rectangular plaques
Not on view
239
Derby porcelain factory, founded 1756
Dr. Syntax: On a Horse, Jumping a Gate
ca. 1810
Not on view
240
Staffordshire pottery
The Boxer Tom Cribb: in canary breeches
ca. 1800
Not on view
241
unknown artist
Carved wood misericord of a Sleeping Fox, possibly from Dunblane Cathedral, Perthshire, Scotland
ca. 1400
Not on view
242
unknown artist
Prancing Horse
undated
Not on view
243
unknown artist
The Taglioni Coach and Other Scenes
ca. 1840
Not on view
244
John R. Skeaping, 1901–1980
Arab Horsemen, One Brown and One Gray Horse
1965
245
John R. Skeaping, 1901–1980
Key to the Mint
1974
246
John R. Skeaping, 1901–1980
Key to the Mint
1974
247
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
248
John R. Skeaping, 1901–1980
One of Burch's
1974
249
John R. Skeaping, 1901–1980
Moving Up to Challenge
1963
250
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
251
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
252
Print made by Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
1898-1899
253
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
254
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
255
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
256
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
257
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
258
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
259
Robert Polhill Bevan, 1865–1925
The Kill
undated
260
after Joseph Mallord William Turner, 1775–1851
The Trout Stream
261
after Joseph Mallord William Turner, 1775–1851
North-West Front, Cassiobury, with Hounds and Huntsmen
262
after Joseph Mallord William Turner, 1775–1851
Les Fetes de la Moisson
263
Joseph Mallord William Turner, 1775–1851
Huntsmen in a Wood
264
George Romney, 1734–1802
Sketches for a Man with a Horse
undated
265
George Romney, 1734–1802
Studies of Horses
undated
266
George Romney, 1734–1802
Frolicking Goat: Three Sketches
undated
267
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
268
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
269
James Gwin, 1700–1769
Seconde Position du Salut
1763
270
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
271
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
272
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
273
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
274
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
275
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
276
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
277
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
278
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
279
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
280
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
281
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
282
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
283
John Martin, 1789–1854
Archers Stalking a Stag
1821
284
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
285
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
286
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
287
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
288
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
289
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
290
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
291
James Gwin, 1700–1769
Troisieme Position du Salut
1763
292
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
293
James Gwin, 1700–1769
Premiere Position du Salut
1763
294
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
295
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
296
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
297
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
298
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
299
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes