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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomExhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Search Results
101
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
102
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
103
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
104
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
105
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
106
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
107
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
108
- Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
- 1794
109
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
110
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
111
- I Found Him Beneath a Tree; Plate 3
- 1793
112
- Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
- 1789
113
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
114
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
115
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
116
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
117
- Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
- 1794
118
- What is Man!, Frontispiece; Plate 1
- 1793
119
- Water; Plate 4
- 1793
120
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
121
- Help! Help!; Plate 12
- 1793
122
- Fear & Hope Are -- Vision; Plate 15
- 1793
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
123
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
124
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
125
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
126
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
127
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
128
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
129
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
130
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
131
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
132
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
133
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
134
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
135
- The Complaint and the Consolation; or Night Thoughts (and title page)
- 1797
136
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
137
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
138
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
139
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
140
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
141
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
142
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
143
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
144
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
145
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
146
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
147
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
148
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
149
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
150
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
151
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
152
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
153
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
154
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
155
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
156
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
157
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
158
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
159
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
160
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
161
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
162
- Jerusalem, Plate 51
- 1804 to 1820
163
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
164
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
165
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
166
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
167
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
168
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
169
- Jerusalem, Plate 76
- 1804 to 1820
170
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
171
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
172
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
173
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
174
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
175
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
176
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
177
- Abraham and Isaac
- 1799 to 1800
178
- Mary Magdalen at the Sepulchre
- ca. 1805
179
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
180
- The Parable of the Wise and Foolish Virgins
- ca. 1825
181
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
182
- Presages of the Millenium
- 1795
183
- Pylades and Orestes
- 1771
184
- The Witch of En-Dor
- 1788
185
- Queen Katherine's Dream
- 1788
186
- Job Reproved by his Friends
- 1777
187
- Death on a Pale Horse
- 1784
188
- The Shepherd
- 1827
189
- William Blake in Youth and Age
- ca. 1830
190
- The Phoenix or the Resurrection of Freedom
- 1776
191
- Get Thee Behind Me, Satan
- between 1783 and 1787
192
- A Select Collection of English Songs
- 1783
193
- A Select Collection of English Songs
- 1783
194
- A Select Collection of English Songs
- 1783
195
- A Select Collection of English Songs
- 1783
196
- A Select Collection of English Songs
- 1783
197
- A Select Collection of English Songs
- 1783
198
- A Select Collection of English Songs
- 1783
199
- A Select Collection of English Songs
- 1783
200
- A Select Collection of English Songs
- 1783