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East Bergholt Church
Creator:
John Constable, 1776–1837
Date:
1809
Materials & Techniques:
Oil on paper mounted to panel
Dimensions:
7 15/16 x 6 3/16 inches (20.2 x 15.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Sir Richard Steele's Cottage, Hampstead
Creator:
John Constable, 1776–1837
Date:
1831 to 1832
Materials & Techniques:
Oil on canvas
Dimensions:
8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster Abbey from Tothill Fields
Creator:
John Varley, 1778–1842
Date:
1832
Materials & Techniques:
Oil on panel
Dimensions:
7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Grand Canal, Venice
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Oil on millboard
Dimensions:
9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
North East View of Grantham Church, Lincolnshire
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Martin's Church Westminster
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
1810
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Maur's Farm
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1913
Materials & Techniques:
Etching; 2nd state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 9 5/8 inches (16.2 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Maur's Farm
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1913
Materials & Techniques:
Etching; 8th state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Stanley Pontlarge
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1913
Materials & Techniques:
Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 3/4 inches (19.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Totterne Inn
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1919
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 9 inches (15.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Totterne Inn
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1919
Materials & Techniques:
Etching; 3rd state, touched on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 inches (20.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Landscape with Sheep
Creator:
William Callow, 1812–1908
Date:
undated
Materials & Techniques:
Watercolor over graphite, with gum arabic and goauche on medium, rough, gray wove paper
Dimensions:
Sheet: 5 1/8 × 10 inches (13 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
View of Lichfield, The Birth Place of Dr. Samuel Johnson
Creator:
Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Battersea Bridge
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1868
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 12 1/4in. (24.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
The Church of St. Mary Le Bow in Cheapside London
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Baptist Church House, Southampton Row, W. C.
Creator:
Arthur Keen, 1861–1938
Date:
ca. 1901
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 14 inches (43.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse