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Myles Birket Foster Study of a Man's Head and Beard
Myles Birket Foster, 1825–1899
Study of a Man's Head and Beard
Myles Birket Foster Sketch of a Coat of Arms, Study of a Thatched Cottage, and Notes in Longhand
Myles Birket Foster, 1825–1899
Sketch of a Coat of Arms, Study of a Thatched Cottage, and Notes in Longhand
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawing of Hands
Sir Peter Lely, 1618–1680
Drawing of Hands
1650s-1660s
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
C. R. W. Nevinson Returning to the Trenches
Print made by C. R. W. Nevinson, 1889–1946
Returning to the Trenches
1916
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawing of a Hand
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
Sir Peter Lely Drawing of a Hand
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
Sir Peter Lely Drawing of a Hand
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
John Russell Lunar Planisphere, Hypothetical Oblique Light
Print made by John Russell, 1745–1806
Lunar Planisphere, Hypothetical Oblique Light
1806
John Russell Lunar Planisphere, Flat Light
Print made by John Russell, 1745–1806
Lunar Planisphere, Flat Light
1805
unknown artist Commemorative Portrait of a Racehorse called Othello
unknown artist
Commemorative Portrait of a Racehorse called Othello
undated
Peter DeWint Study for 'Elijah'
Peter DeWint, 1784–1849
Study for 'Elijah'
1828
Peter DeWint Study for 'Elijah'
Peter DeWint, 1784–1849
Study for 'Elijah'
1828
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
Sir Lawrence Alma-Tadema Fredegonda at the Deathbed of Praetextatus
Sir Lawrence Alma-Tadema, 1836–1912
Fredegonda at the Deathbed of Praetextatus
ca. 1864
John Sell Cotman Mountainous Landscape, North Wales
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802
David Cox Windermere During the Regatta
David Cox, 1783–1859
Windermere During the Regatta
1832
Henry Fuseli Selling of Cupids
Henry Fuseli, 1741–1825
Selling of Cupids
between 1775 and 1776
James Johnson Granby Hill, Bristol
James Johnson, 1803–1834
Granby Hill, Bristol
undated
George Arthur Fripp Durham Cathedral
George Arthur Fripp, 1813–1896
Durham Cathedral
1846
Sir Thomas Lawrence Portrait of Miss Lysons
Sir Thomas Lawrence, 1769–1830
Portrait of Miss Lysons
1795
Albert Joseph Moore Study for Battledore and Shuttlecock
Albert Joseph Moore, 1841–1893
Study for Battledore and Shuttlecock
ca. 1871
George Franklin Piazza Salone, Padua
George Franklin, active 1825–1845
Piazza Salone, Padua
1836
William Powell Frith The Return from Labor
William Powell Frith, 1819–1909
The Return from Labor
ca. 1846
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Richard Westall Theatrical Figures About a Throne
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
William Alexander Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
William Alexander, 1767–1816
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
undated
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
John Flaxman The Reverend Anthony Stephen Mathew
John Flaxman, 1755–1826
The Reverend Anthony Stephen Mathew
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
John Evelyn Italian Landscape (after Titian)
John Evelyn, 1620–1706
Italian Landscape (after Titian)
1656
Thomas Gainsborough Wooded Landscape with Country Cart and Figures Walking down a Lane
Thomas Gainsborough, 1727–1788
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
George Arthur Fripp Nant Francon, North Wales
George Arthur Fripp, 1813–1896
Nant Francon, North Wales
1862
John Scarlett Davis Street Scene in Calais
John Scarlett Davis, 1804–1845
Street Scene in Calais
undated
Thomas Hickey Study of Sir Alexander Allan
Thomas Hickey, 1741–1824
Study of Sir Alexander Allan
1799
Lankester, Phebe, 1825-1900. Wild flowers worth notice :
Lankester, Phebe, 1825–1900
Wild flowers worth notice
1861
Spooner's transformations.
Spooner's transformations
1838 [-39]