View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
2
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
3
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
4
Print made by William Miller, 1796–1882
Pont-Neuf, Paris
1835
5
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and Pont-au-Change
1835
6
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
7
Print made by William Miller, 1796–1882
Melun
1835
8
Print made by James Charles Armytage, 1802–1897
Troyes
1835
9
Print made by James Charles Armytage, 1802–1897
Confluence of the Seine and Marne
1835
10
Print made by Robert Wallis, 1794–1878
Scene on the Loire
1833
11
Print made by James T. Willmore, 1800–1863
Clairmont
1833
12
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
13
Print made by Robert Brandard, 1805–1862
Graville
1834
14
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
15
Print made by William Miller, 1796–1882
Melun
1835
16
Print made by James Charles Armytage, 1802–1897
Confluence of the Seine and Marne
1835
17
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
18
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and the Pont-au-Change
1835
19
Print made by James Charles Armytage, 1802–1897
Troyes
1835
20
Print made by Robert Brandard, 1805–1862
Between Quilleboeuf and Villequier
1834
21
Print made by Pellissier & Allen, active late 19th century
Bonneville, Savoy
1900
22
Print made by Sir David Young Cameron, 1865–1945
Beauvais
1910
23
Print made by Sir David Young Cameron, 1865–1945
The Chimera of Amiens
1910
24
Print made by Robert Wallis, 1794–1878
Scene on the Loire
1833
25
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
26
Print made by James T. Willmore, 1800–1863
Clairmont
1833
27
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
28
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1833
29
Print made by Robert Brandard, 1805–1862
Between Quileboeuf and Villequier
1834
30
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
31
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and Pont-au-Change
1835
32
Print made by William Miller, 1796–1882
Melun
1835
33
Print made by William Miller, 1796–1882
Pont-Neuf, Paris
1835
34
James Charles Armytage, 1802–1897
Confluence of the Seine and Marne
1835
35
James Charles Armytage, 1802–1897
Troyes
1835
36
Print made by John Cousen, 1804–1880
Harfleur
1834
37
Print made by Sigismond Himely, 1801–1872
Rouen, looking up the River
undated
38
Print made by Sir David Young Cameron, 1865–1945
Yvon
1911
39
John Tinney, died 1761
A View of the Flower Gardens of Seaux & of ye great Canal at a Distance
undated
40
unknown artist
View of one Wing of Fountainebleau, taken from the Court of Fountains
41
Nathaniel Parr, active 1742–1751
A Perspective View of the Cascade of St. Cloud
42
unknown artist
A View of the Palace of Marli toward the little Parterre
43
John Tinney, died 1761
A View of the Palace of Versailles towards ye Garden
44
Nathaniel Parr, active 1742–1751
A General View of the City of Paris taken from an Eminence in the Village of Chaillot
1749
45
unknown artist
The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..
46
John Tinney, died 1761
A View of the Chapel of the Palace of Versailles
47
unknown artist
View of the Flower Garden, & part of the Palace of Fountainbleau
48
unknown artist
View of the Canal of Fountainbleau
49
John Tinney, died 1761
A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden
undated
50
Nathaniel Parr, active 1742–1751
A Prospect of the Palace of Chantilli
undated
51
unknown artist
A View of the Palace of Marli toward the little Parterre