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Richard Banks Harraden Christ's College, Cambridge
Richard Banks Harraden, 1778–1862
Christ's College, Cambridge
ca. 1836
John Hood The Northumberland
John Hood, active 1762–1771
The Northumberland
1763
Gospen Burial Crest of Bryan Ansley, Esqr. in Lee Church
Gospen
Burial Crest of Bryan Ansley, Esqr. in Lee Church
Stephen Riou Design for a substantial villa. The `Forefront' and profile plan of the front elevation.
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
Stephen Riou Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
Lewis Kennedy Flower Garden at Middleton Park, Oxfordshire
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
Leon Kossoff Christ Church, Spitalfields, No. 2
Leon Kossoff, 1926–2019
Christ Church, Spitalfields, No. 2
1990
Francesco Bartolozzi [Fox-Hunting]
Figures by Francesco Bartolozzi, 1728–1815
[Fox-Hunting]
1783
John Dean Cupid in the Character of a Link Boy
Print made by John Dean, 1754–1798
Cupid in the Character of a Link Boy
1777
James Wyatt Cobham Hall, Kent: Elevation of South Front of South Wing
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
Joseph Grozer Lady Charlotte Legge
Print made by Joseph Grozer, ca. 1755–1798
Lady Charlotte Legge
1794
William Dickinson Miss Benedetta Ramus
Print made by William Dickinson, 1746–1823
Miss Benedetta Ramus
1779
James Watson Shepherd Boy
Print made by James Watson, 1740–1790
Shepherd Boy
ca. 1778
Thomas Watson Frances Brooke, Lady Whitmore
Print made by Thomas Watson, 1743–1781
Frances Brooke, Lady Whitmore
undated
Robert Pollard Boys Playing at Marbles
Print made by Robert Pollard, 1755–1838
Boys Playing at Marbles
1786
unknown artist A North View of the India House
unknown artist
A North View of the India House
undated
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Lamprie'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Lamprie'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Bald Charlotte' or 'Lady Legs'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bald Charlotte' or 'Lady Legs'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Bonny Black'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bonny Black'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Young Cartouch'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Young Cartouch'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Second'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Second'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Squirril'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Squirril'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Babraham'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Babraham'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Regulus'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Regulus'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Conqueror'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Conqueror'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Silver Leg'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Silver Leg'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Sampson'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Sampson'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Whynot'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Whynot'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Victorious'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Victorious'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Bay Arabian'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bay Arabian'
Clifford C. Webb Derbyshire Farm
Clifford C. Webb, 1895–1972
Derbyshire Farm
ca. 1925
Maud L. Wethered [Harbor]
Maud L. Wethered, 1898
[Harbor]
ca. 1925
Ethelbert White Recco
Ethelbert White, 1891–1972
Recco
ca. 1925
George Edwards [Insect]
George Edwards, 1694–1773
[Insect]
ca. 1758
George Edwards [Black Bird]
George Edwards, 1694–1773
[Black Bird]
ca. 1758
unknown artist The Buildings of the Imperial Colleges in St. Petersburg on the left side. And the Ware houses for Merchants on ye right
Print made by unknown artist
The Buildings of the Imperial Colleges in St. Petersburg on the left side. And the Ware houses for Merchants on ye right
Robert Cockburn Port William, Aug. 1835
Robert Cockburn, 1812–1836
Port William, Aug. 1835
1835
Robert Cockburn Bridge of Antioch, Oct. 1835
Robert Cockburn, 1812–1836
Bridge of Antioch, Oct. 1835
1835
Robert Cockburn Mourad Pasha - Oct. 10th 1835
Robert Cockburn, 1812–1836
Mourad Pasha - Oct. 10th 1835
1835
Robert Cockburn Near Mourad Pasha
Robert Cockburn, 1812–1836
Near Mourad Pasha
1835
Robert Cockburn Man With a Pipe
Robert Cockburn, 1812–1836
Man With a Pipe
1835-1836
Robert Cockburn [Two Men]
Robert Cockburn, 1812–1836
[Two Men]
1835-1836
Robert Cockburn [Two Men]
Robert Cockburn, 1812–1836
[Two Men]
1835-1836
Robert Cockburn Giaber, May 1836
Robert Cockburn, 1812–1836
Giaber, May 1836
1835-1836
Robert Cockburn [Landscape]
Robert Cockburn, 1812–1836
[Landscape]
1835-1836
Robert Cockburn [Landscape]
Robert Cockburn, 1812–1836
[Landscape]
1835-1836
Robert Cockburn Dervish Ali, and Mr. Geoffrey
Robert Cockburn, 1812–1836
Dervish Ali, and Mr. Geoffrey
1835-1836
Robert Cockburn [Landscape]
Robert Cockburn, 1812–1836
[Landscape]
1835-1836
Robert Cockburn Tartar
Robert Cockburn, 1812–1836
Tartar
1835-1836
Robert Cockburn [Man Reading]
Robert Cockburn, 1812–1836
[Man Reading]
1835-1836
Robert Cockburn [Landscape]
Robert Cockburn, 1812–1836
[Landscape]
1835-1836
Robert Cockburn Aleppo
Robert Cockburn, 1812–1836
Aleppo
1835-1836
Joseph Crawhall “The Master.” Hark to Statesman
Joseph Crawhall, 1861–1913
“The Master.” Hark to Statesman
ca. 1900
Lionel Edwards The Meynell Hunt Away From Bentley Carr, Staffordshire
Lionel Edwards, 1878–1966
The Meynell Hunt Away From Bentley Carr, Staffordshire
1937
Lionel Edwards Steeplechasing - A Bad Spill
Lionel Edwards, 1878–1966
Steeplechasing - A Bad Spill
1903
Lionel Edwards Cubhunting with the North Cotswold, Oct. 1911, with vignettes
Lionel Edwards, 1878–1966
Cubhunting with the North Cotswold, Oct. 1911, with vignettes
1911
Lionel Edwards Foxhunting in England
Lionel Edwards, 1878–1966
Foxhunting in England
undated
Lionel Edwards In Full Cry
Lionel Edwards, 1878–1966
In Full Cry
1917
Lionel Edwards Cubhunting, The Beaufort, 1917: Tom Newman going to a Holloa
Lionel Edwards, 1878–1966
Cubhunting, The Beaufort, 1917: Tom Newman going to a Holloa
1917
Canon G. R. Winter Oxford. Your Name and College, Sir?
Canon G. R. Winter
Oxford. Your Name and College, Sir?
undated
unknown artist Key to `Conquest of Mexico'
unknown artist
Key to `Conquest of Mexico'
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
Arthyr Hayman Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey
Arthyr Hayman, active 1850
Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey
1880
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Dame Barbara Hepworth Rangatira I
Dame Barbara Hepworth, 1903–1975
Rangatira I
1969
Tom Phillips Art on the Road
Tom Phillips, born 1937
Art on the Road
1976
unknown artist Kennington Manor House with Plan of Part of Newington
unknown artist
Kennington Manor House with Plan of Part of Newington
unknown artist St. Mark's Church, Kennington, Lambeth
unknown artist
St. Mark's Church, Kennington, Lambeth
unknown artist Brixton Church, South West
unknown artist
Brixton Church, South West
unknown artist Effra Hall (near the Church) Brixton, London
unknown artist
Effra Hall (near the Church) Brixton, London
unknown artist Dirty Dick
unknown artist
Dirty Dick
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Old Partner'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Old Partner'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Crab'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Crab'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Starling'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Starling'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Old Cartouch'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Old Cartouch'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Fearnought'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Fearnought'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Othello' or 'Black & All Black'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Othello' or 'Black & All Black'
James Roberts the Elder One of a Set of Twenty-Two Portraits of Horses: 'Cato'
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Cato'