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Materials & Techniques laid paper
Remove constraint Materials & Techniques: laid paperCredit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundSearch Results
1
- Figure Composition Study 2
- undated
2
- Figure Composition Study 8
- undated
3
- Figure Study 8
- undated
4
- Landscape
- undated
5
- Figure Composition Study 27
- undated
6
- Figure Composition Study 30
- undated
7
- Study of a Standing Figure
- undated
8
- Figure Study 4
- undated
9
- Figure Composition Study 49
- undated
10
- Figure Composition Study 50
- undated
11
- Study of Two Figures and a Face
- undated
12
- Figure Study Eleven
- undated
13
- Figure Composition Study 9
- undated
14
- Figure Study 2
- undated
15
- Leaves 1
- undated
16
- Study of a Cow
- undated
17
- Male Head 2
- undated
18
- Figure Composition Study 36
- undated
19
- Figure Composition Study 37
- undated
20
- Figure Composition Study 38
- undated
21
- Study of a Seated Woman
- undated
22
- Figure Study 10
- undated
23
- Figure Study of a Woman
- undated
24
- Composition of Two Figures
- undated
25
- Figure Study Thirteen
- undated
26
- Figure Study 5
- undated
27
- Figure Study 1
- undated
28
- Study of a Horse's Hooves
- undated
29
- Figure Composition Study 13
- undated
30
- Figure Composition Study 14
- undated
31
- Figure Composition Study 16
- undated
32
- Figure Composition Study 17
- undated
33
- Figure Study 9
- undated
34
- Figure Composition Study 25
- undated
35
- Study of Leaves 2
- undated
36
- Figure Composition Study 34
- undated
37
- Study of Three Women
- undated
38
- Figure Composition Study 39
- undated
39
- Study of Two Seated Figures
- undated
40
- Figure Study Twelve
- undated
41
- Female Figure
- undated
42
- Figure Study 6
- undated
43
- Manuscript Notes
- 1773
44
- Manuscript Notes
- 1773
45
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
46
- Manuscript Notes
- 1773
47
- Manuscript Notes
- 1773
48
- Manuscript Notes
- 1773
49
- Manuscript Notes
- 1773
50
- Manuscript Notes
- 1773
51
- Manuscript Notes
- 1773
52
- Manuscript Notes
- 1773
53
- Manuscript Notes
- 1773
54
- Manuscript Notes
- 1773
55
- Louisa, Lady Stormont
- 1780
56
- Mrs. Ann Warren
- undated
57
- Henrietta Countess of Warwick
- 1780
58
- Miss Francis Woodley
- 1781
59
- Mrs. Yates as 'Melancholy' in 'Il Penseroso'
- 1771
60
- John Wharton Tempest
- 1781
61
- Sisters Contemplating on Mortality
- 1770
62
- Caroline, Countess of Carlisle
- 1781
63
- Miss Cumberland
- 1779
64
- Mrs. Davenport
- 1784
65
- Mrs. Beresford
- 1788
66
- The Clavering Children
- 1779
67
- Emma, Lady Hamilton as 'Ariadne'
- 1801
68
- Emma, Lady Hamilton
- 1785
69
- Lady Hamilton as Nature
- undated
70
- Lady Hamilton as The Sempstress
- 1787
71
- Hon. Henrietta Maria North
- 1782
72
- Lord George Germain
- 1780
73
- The Clavering Children
- 1779
74
- Lady Hamilton as St. Cecilia
- 1789
75
- Mrs. Jordan as L'Allegro
- 1771
76
- Mrs. Jordan in the Character of the Romp
- 1788
77
- Lady Hamilton as the Spinster
- 1789
78
- George, Duke of Marlborough
- 1786
79
- Lady Charlotte Legge
- 1794
80
- Miss Ann Parry
- 1777
81
- Mrs. Musters
- 1780
82
- Mrs. Stables and Two Daughters Harriet & Maria
- 1781
83
- Lady Isabella Hamilton
- 1782
84
- Caroline, Duchess of Marlborough
- 1791
85
- The Gower Family: The Children of Granville, 2nd Earl of Gower
- 1781
86
- Alope
- 1787
87
- Sensibility
- 1789
88
- Lady Hamilton as 'Nature'
- 1784
89
- Serena
- 1782
90
- Manuscript Notes
- 1773
91
- Italian Sketchbook
- 1773
92
- Sketchbook Drawing
- 1773
93
- Sketchbook Drawing
- 1773
94
- Sketchbook Drawing
- 1773
95
- Sketchbook Drawing
- 1773
96
- Sketchbook Drawing
- 1773
97
- Sketchbook Drawing
- 1773
98
- Sketchbook Drawing
- 1773
99
- Sketchbook Drawing
- 1773
100
- Sketchbook Drawing
- 1773