An Inside View of the Choir of the Cathedral Church of Canterbury, (plate no. 9)
10
unknown artist
The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf
11
unknown artist
The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France
12
unknown artist
A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace
13
unknown artist
A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House
14
unknown artist
A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus
15
unknown artist
Lady Amelia Hume
1795
16
James Watson, 1740–1790
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
1762-1764
17
unknown artist
Design for a Wine Cooler
undated
18
unknown artist
Paultons, Hampshire
undated
19
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
20
unknown artist
Design for a Lamp
undated
21
unknown artist
Design for a Lamp
undated
22
unknown artist
Design for a Clock Case
undated
23
unknown artist
Design for a Saloon
undated
24
unknown artist
Cobham Hall, Kent: Sketch for a bed
ca. 1790
25
unknown artist
Designs for a Print Room at Wricklemarsh
undated
26
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
27
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
28
unknown artist
Views in the Levant: Study of a Woman Wearing a Pink Turban and White Dress
ca. 1785
29
unknown artist
Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Red Dress
ca. 1785
30
unknown artist
Views in the Levant: An Obelisk and Two Columns
ca. 1785
31
unknown artist
Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Pink Dress
ca. 1785
32
unknown artist
Views in the Levant: Cattle Grazing with Distant View of Houses and the Sea, St. Lawrence, Isle of Wight
ca. 1785
33
unknown artist
Views in the Levant: View of the Sea From a Grotto
ca. 1785
34
unknown artist
Views in the Levant: Interior of a Ruined Byzantine Church
undated
35
unknown artist
Views in the Levant: Rocky Landscape by the Sea with Shepherd and Flock
ca. 1785
36
unknown artist
Views in the Levant: View Inside Courtyard and Buildings Surrounding Topkapi Palace, Istanbul
ca. 1785
37
unknown artist
South Remains of Winchester House, Southwark
1800
38
unknown artist
A Correcto Ground Plan of the Dreadful Fire at Radcliff which began....on Wednesday July 23rd 1794
after 1794
39
unknown artist
Map of Whitechapel and Shoreditch
1746
40
unknown artist
Map of the City of London with Parishes to the East and a Portion of Southwark
1739
41
unknown artist
London and Westminster in the Reign of Queen Elizabeth, A.D. 1563
1789
42
unknown artist
The Admiralty
1795
43
Thomas Medland, 1755–1823
View of Whitehall
1793
44
Print made by unknown artist
A Prospect of Westminster (General View from Lambeth)
1748
45
Thomas Medland, 1755–1823
Old Palace Yard, Westminster
1796
46
John Baptist Homann, 1664–1724
Plan of Stepney with Various engraved views of London
1736
47
C. F. Kell, active 1882
Ground Plan of Ely Palace, Holborn, as it appeared before its almost total Demolition
1772
48
unknown artist
An Exact Plan of ye Royal Vault in King Henry the seventh Chapel
1751
49
unknown artist
Algiers
50
unknown artist
Staple's Inn, Holborn
1800
51
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
52
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
53
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
54
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
55
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
56
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
57
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
58
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
59
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
60
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
61
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
62
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
63
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
64
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
65
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
66
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
67
Print made by Benedetto Pastorini, Italian, ca.1746–after 1803
Inside View of the Theatre Royal, Drury Lane
1775
68
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
69
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
70
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
71
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
72
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
73
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
74
unknown artist
Views in the Levant: Study of a Woman Wearing a Purple Turban and Green Dress
ca. 1785
75
unknown artist
Views in the Levant: Four Men and Horse Beside Wooden House, Distance View of Harbour Town and Sea, England
ca. 1785
76
unknown artist
Views in the Levant: Landscape with Arched Bridge in Left Foreground and Town on Horizon
ca. 1785
77
unknown artist
Views in the Levant: Street Scene With Domed Roofs, One Dome Surmounted by a Column (Possibly Cairo?)
ca. 1785
78
unknown artist
[One of a ] Set of 12 engravings
ca. 1760
79
unknown artist
A Quaker Meeting
undated
80
unknown artist
The Wards of Coleman Street and Bassishaw
undated
81
unknown artist
Hinton St. George, Somerset: Plan of Stables
1777
82
unknown artist
Stall Fed Ambassador from Heaven
1791
83
unknown artist
Pulpit Extravaganzas - for Modes of Faith let Graceless Zealots Fight, His Can't be Wrong whose Life is in the Right (12 vignettes)
1789
84
unknown artist
Mr. Cowper Thornhill Master of the bell Inn at Stilton in Huntingdonshire
1745
85
unknown artist
Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head
1776
86
unknown artist
Le Boulanger Flamand, 1743
1743
87
unknown artist
L'Occupation Champetre
published 1754
88
unknown artist
Monsieur L'Abbe
published 1754
89
Thomas Major, 1714–1799
A View of Fulham Bridge and Putney, 1750
1750
90
Thomas Major, 1714–1799
A View of Hampstead Road near Tomkin's House, 1750
1750
91
Thomas Major, 1714–1799
Another View of the River Thames from Chelsea, 1750
1750
92
Thomas Major, 1714–1799
A View of the River Thames form the end of Chelsea