Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Subject Terms: boats and men

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Subject Terms boats

Subject Terms men

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 4

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Print made by John Boydell, 1720–1804

Noon

1753

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by Pierre Charles Canot, ca. 1710–1777

Sun Under a Cloud

1745

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by John Boydell, 1720–1804

Morning

1753

Stephen Frederick Gooden, 1892–1955

The Rider on the Lion

1924

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by Pierre Charles Canot, ca. 1710–1777

Morning

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

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