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George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1786
Not on view
William Hogarth The Beggar's Opera
William Hogarth, 1697–1764
The Beggar's Opera
1729
Not on view
William Artaud 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
William Artaud, 1763–1823
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
Benjamin West Cymon and Iphigenia
Benjamin West, 1738–1820
Cymon and Iphigenia
ca. 1766
Not on view
Benjamin West The Cave of Despair
Benjamin West, 1738–1820
The Cave of Despair
1772
Not on view
Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus
Joseph Wright of Derby, 1734–1797
Virgil's Tomb by Moonlight, with Silius Italicus
1779
Not on view
Johan Joseph Zoffany Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
Johan Joseph Zoffany, 1733–1810
Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
1767
Not on view
Benjamin Wilson David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
William Hodges Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
unknown artist Prospero, Miranda and Ariel, from "The Tempest"
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
Philippe-Jacques de Loutherbourg Falstaff with the Body of Hotspur
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Falstaff with the Body of Hotspur
ca. 1786
Not on view
Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
ca. 1755
Not on view
Benjamin van der Gucht Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
Benjamin van der Gucht, 1753–1794
Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
Herbert Stoppelaer Shylock and Tubal from "The Merchant of Venice"
Herbert Stoppelaer, active 1730–1775
Shylock and Tubal from "The Merchant of Venice"
1767 to 1769
Not on view
Thomas Stothard The Return of Othello, 'Othello,' Act II, Scene II
Thomas Stothard, 1755–1834
The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Not on view
Thomas Stothard Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
Edward Alcock Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
unknown artist Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
unknown artist
Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
between 1770 and 1780
Not on view
Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
Francis Wheatley Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
1755
Not on view
Marcellus Laroon the Younger Scene from Shakespeare's "Henry IV, Part I"
Marcellus Laroon the Younger, 1679–1772
Scene from Shakespeare's "Henry IV, Part I"
1746
Not on view
John Downman The Ghost of Clytemnestra Awakening the Furies
John Downman, 1750–1824
The Ghost of Clytemnestra Awakening the Furies
1781
Not on view
John Singleton Copley Study for 'The Red Cross Knight'
John Singleton Copley, 1738–1815
Study for 'The Red Cross Knight'
ca. 1793
Not on view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
Adrien Carpentiers Louis-Francois Roubiliac Modelling His Monument to Shakespeare
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
Sawrey Gilpin Gulliver Taking His Final Leave of the Land of the Houyhnhnms
Sawrey Gilpin, 1733–1807
Gulliver Taking His Final Leave of the Land of the Houyhnhnms
1769
Not on view
Sawrey Gilpin Gulliver Addressing the Houyhnhnms
Sawrey Gilpin, 1733–1807
Gulliver Addressing the Houyhnhnms
1769
Not on view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
William Hogarth Mr. Garrick in the Character of Richard III
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798