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Materials & Techniques gray wash

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Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East Side of Sheriff Hutton Castle
Creator:
Francis Place, 1647–1728
Date:
undated
Materials & Techniques:
Gray wash and blue wash with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 8 7/8 inches (10.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View at Harrow: with farm-worker, cart and ruined barn
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Black chalk and gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle Acre Priory
Creator:
Thomas Hearne, 1744–1817
Date:
1771
Materials & Techniques:
Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ruins of the College of Lincluden, near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1806
Materials & Techniques:
Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of the Savoy Palace, London
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowcombe Court: a gentleman with his dog walking by the river
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1775
Materials & Techniques:
Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Venus Monday, March 18th, 1782
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1782
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 × 19 9/16 inches (35.6 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Raglan Castle
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 7/8 inches (28.3 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folio of Views in Norfolk and Suffolk Flixton Old Chapel, near Lowestoft, Suffolk
Creator:
Capt. Francis Grose, 1731–1791
Date:
1785
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 7 inches (14 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Knaresborough Castle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, black chalk and gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 6 3/8 × 10 1/2 inches (16.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

14. Hillslap

Hillslap
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Front of Byland Abbey, Yorkshire
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/8 x 6 1/4 inches (21.3 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elgin Cathedral, Moray
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edlingham Castle, Northumberland
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, brown wash and black chalk on moderately thick, slightly textured gray wove paper
Dimensions:
Sheet: 4 1/2 × 7 inches (11.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection