Period: 18th century / Image Available: Available / Creator: Rowlandson, Thomas, 1756–1827

1. The Journalist, with a view of Auchinleck or the Land of Stones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

2. The Return of the Fleet to Great Yarmouth in 1797

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Pier at Amsterdam (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Recruiting Officer

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Set of eight (3): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Set of eight (5): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Set of eight (5): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Set of eight (6): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Set of eight (7): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Set of Sixteen: Outlines of Figure and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Set of eight (4): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Set of eight (2): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Court of Common Pleas, Westminster Hall

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Colored aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

22. Filial Piety

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13in. (22.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Dutch Packet in a Rising Breeze

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Pigs at a Trough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sadlers Sharp Shooters

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Distress

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790 to 1795
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/16 inches (31 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Three Clerical Scholars

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Watercolor with pen and back and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 11 3/16 inches (22.7 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Carnarvon Castle, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Entrance to Festiniog, Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Bookseller and Author

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Watercolor and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 12 5/8 inches (26.4 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Carrier's Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 15 3/16 inches (25.7 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Man Driving a Team of Six Girls

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1778 and 1780
Materials & Techniques:: Watercolor with pen and black ink over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 7 13/16 x 9 5/16 inches (19.8 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Connoisseurs

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and red, brown and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 inches (22.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Worn Out Debauchée

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and yellow and gray-black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 13/16 x 7 13/16 inches (30 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Love Letter

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Customs House at Boulogne

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790s
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Recruiting Sargeant

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, laid paper, mounted on moderately thick, slightly textured, laid paper
Dimensions:: Sheet: 12 x 8 1/4 inches (30.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Prospect Before Us

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Pen and black ink and wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 12 1/8 inches (22.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Tintagel Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 9/16 x 12 inches (24.3 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Fox-hunting [one of a set of six]: The Dinner

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Hare Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 9 11/16 x 13 5/8in. (24.6 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Runaway Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1791
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Opera Singers

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 4 11/16 inches (14 x 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Vauxhall Gardens

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1784
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Bodmin Cornwall: The Arrival of the Stage-Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. An Audience Watching a Play at Drury Lane Theatre

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Embarkation at Southampton, June 20th 1794 (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Potter Returning from Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:: Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Bishopsgate Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Vauxhall

Creator:: unknown artist
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Castle Baynard Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Langbourn Ward Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Vaux-Hall

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Encampment in Hyde Park

Creator:: Formerly Thomas Rowlandson, 1756–1827
Date:: 1781
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Light House Volunteers of London and Westminster

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Dengate Ward Volunteer

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Cut Two and Right Protect

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Candlewick Ward Association

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Advantage of Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Soldiers Recreating

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. An Italian Family

Creator:: Samuel Alken, 1756–1815
Date:: 1785
Materials & Techniques:: Etching with aquatint
Dimensions:: Sheet: 16 1/4 x 21 3/4in. (41.3 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Soldiers Cooking

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Box Lobby Loungers

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Etching and stipple
Dimensions:: Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A French Family

Creator:: Samuel Alken, 1756–1815
Date:: 1786
Materials & Techniques:: Etching with aquatint
Dimensions:: Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Heads: Philosophorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Suitable Restrictions

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Minister Casting Up His Accounts

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Times

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. A Lying-In Visit, or a Short-Sighted Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. An Essay on the Sublime and Beautiful, The Maiden Speech

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand colored
Dimensions:: Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Nap in the Country - Nap in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Sir Cecil's Budget for Paying the National Debt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Procession to the Hustings after a Successful Canvass

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Bardolph Badger'd Or the Portland Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. False Courage

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Reformation - or - The Wonderful Effects of a Proclamation!!!

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 5/8in. (24.1 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 14in. (21 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Britania's Protection, or, Loyalty Triumphant

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Heads: Barberorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Heads: Physicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Heads: Hazardorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Heads: Penserosa

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Heads: Billingsgatina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 18th century

Image Available Available

Creator Rowlandson, Thomas, 1756–1827

Search Results

1. The Journalist, with a view of Auchinleck or the Land of Stones

2. The Return of the Fleet to Great Yarmouth in 1797

3. Bucks of the First Head

4. A Pier at Amsterdam (Version A)

5. The Recruiting Officer

6. Set of eight (3): Cries of London

7. Set of eight (5): Cries of London

8. Set of eight (5): Cries of London

9. Set of eight (6): Cries of London

10. Set of eight (7): Cries of London

11. Set of Sixteen: Outlines of Figure and Landscapes

12. Set of sixteen: Outlines of Figures and Landscapes

13. Set of sixteen: Outlines of Figures and Landscapes

14. Set of sixteen: Outlines of Figures and Landscapes

15. Set of sixteen: Outlines of Figures and Landscapes

16. Set of sixteen: Outlines of Figures and Landscapes

17. Set of eight (4): Cries of London

18. Set of eight (2): Cries of London

19. Set of sixteen: Outlines of Figures and Landscapes

20. Set of sixteen: Outlines of Figures and Landscapes

21. Court of Common Pleas, Westminster Hall

22. Filial Piety

23. A Dutch Packet in a Rising Breeze

24. Pigs at a Trough

25. Sadlers Sharp Shooters

26. Distress

27. Three Clerical Scholars

28. Carnarvon Castle, North Wales

29. Entrance to Festiniog, Wales

30. Bookseller and Author

31. A Carrier's Waggon

32. A Man Driving a Team of Six Girls

33. The Connoisseurs

34. Newport High Street, Isle of Wight

35. A Worn Out Debauchée

36. The Love Letter

37. Customs House at Boulogne

38. The Recruiting Sargeant

39. The Prospect Before Us

40. Tintagel Castle

41. A Burial at Carisbrooke, Isle of Wight

42. Skating on the Serpentine

43. Fox-hunting [one of a set of six]: The Dinner

44. Hare Hunting

45. Travelling in France

46. The Runaway Coach

47. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

48. The Opera Singers

49. Vauxhall Gardens

50. Bodmin Cornwall: The Arrival of the Stage-Coach

51. An Audience Watching a Play at Drury Lane Theatre

52. Embarkation at Southampton, June 20th 1794 (Version A)

53. Review of Light Horse Volunteers on Wimbledon Common

54. A Potter Returning from Market

55. Bishopsgate Volunteer

56. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

57. Vauxhall

58. Castle Baynard Volunteer

59. Langbourn Ward Volunteer

60. Vaux-Hall

61. The Encampment in Hyde Park

62. Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's

63. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

64. The Light House Volunteers of London and Westminster

65. Entrance from Mile End or White Chapel Turnpike

66. Dengate Ward Volunteer

67. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

68. Cut Two and Right Protect

69. Candlewick Ward Association

70. The Advantage of Shifting the Leg

71. Soldiers Recreating

72. An Italian Family

73. Soldiers Cooking