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Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Image Use Free to Use
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1
- Fear & Hope Are -- Vision; Plate 15
- 1793
2
- The Chimney Sweeper (Plate 10)
- 1789
3
- Laughing Song (Plate 14)
- 1789
4
- The Little Girl Lost (Plate 20)
- 1789
5
- Nurses Song (Plate 37)
- 1794
6
- The Fly (Plate 48)
- 1794
7
- The Little Girl Found (Plate 22)
- 1789
8
- The Divine Image (Plate 24)
- 1789
9
- A Cradle Song (Plate 26)
- 1789
10
- Night (Plate 30)
- 1789
11
- Infant Joy (Plate 28)
- 1789
12
- Songs of Experience, Title Page (Plate 33)
- 1794
13
- My Pretty Rose Tree (Plate 47)
- 1794
14
- Visions, Frontispiece (Plate 1)
- 1793
15
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
16
- Title Page. America, A Prophecy (Plate 2)
- 1793
17
- Title Page, The Book of Thel (Plate 2)
- 1789
18
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
19
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
20
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
21
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
22
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
23
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
24
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
25
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
26
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
27
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
28
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
29
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
30
- I Found Him Beneath a Tree; Plate 3
- 1793
31
- "They call'd her Pity, and fled..." (Plate 17)
- 1794
32
- "The Ox in the slaughter house moans..." (Plate 23)
- 1794
33
- Songs of Innocence, Title Page (Plate 2)
- 1789
34
- The Ecchoing Green (Plate 8)
- 1789
35
- The Angel (Plate 40)
- 1794
36
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
37
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
38
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
39
- Holy Thursday (Plate 38)
- 1794
40
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
41
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
42
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
43
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
44
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
45
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
46
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
47
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
48
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
49
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
50
- Frontispiece. Albion's Angel (Plate 1)
- 1793
51
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
52
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
53
- The Parable of the Wise and Foolish Virgins
- ca. 1825
54
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
55
- Prison Scene
- undated