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Materials & Techniques graphite

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
Sir Lawrence Alma-Tadema Fredegonda at the Deathbed of Praetextatus
Sir Lawrence Alma-Tadema, 1836–1912
Fredegonda at the Deathbed of Praetextatus
ca. 1864
David Cox Windermere During the Regatta
David Cox, 1783–1859
Windermere During the Regatta
1832
John Flaxman The Reverend Anthony Stephen Mathew
John Flaxman, 1755–1826
The Reverend Anthony Stephen Mathew
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
Giovanni Battista Cipriani Selling of Cupids
Giovanni Battista Cipriani, 1727–1785
Selling of Cupids
undated
Carlo Labruzzi The Baths of Caracalla, Rome
Carlo Labruzzi, 1748–1817
The Baths of Caracalla, Rome
undated
Carlo Labruzzi Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
Carlo Labruzzi, 1748–1817
Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
undated
Carlo Labruzzi A Panoramic View toward St. Peter's from the Palace of the Caesars
Carlo Labruzzi, 1748–1817
A Panoramic View toward St. Peter's from the Palace of the Caesars
undated
Carlo Labruzzi The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.
Carlo Labruzzi, 1748–1817
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome
undated
George Richmond The Sower
George Richmond, 1809–1896
The Sower
1830
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
Sir John Frederick William Herschel, first Baronet The Coliseum, Rome
Sir John Frederick William Herschel, first Baronet, 1792–1871
The Coliseum, Rome
1824
Sir John Frederick William Herschel, first Baronet Antwerp Cathedral
Sir John Frederick William Herschel, first Baronet, 1792–1871
Antwerp Cathedral
1824
Jean B. C. Chatelain View with a Cart and Figures in a Wooded Landscape
Jean B. C. Chatelain, 1710–1771
View with a Cart and Figures in a Wooded Landscape
undated
Shaykh Zayn-al-Din Asian Openbill Stork (Anastomus oscitans)
Shaykh Zayn-al-Din, active 1777–1782
Asian Openbill Stork (Anastomus oscitans)
1781
Carlo Labruzzi Sepulchre on the Via Nomentana in the Roman Campagna
Carlo Labruzzi, 1748–1817
Sepulchre on the Via Nomentana in the Roman Campagna
undated
unknown artist Commemorative Portrait of a Racehorse called Othello
unknown artist
Commemorative Portrait of a Racehorse called Othello
undated
Sir Thomas Lawrence The Wellesley-Pole Sisters
Sir Thomas Lawrence, 1769–1830
The Wellesley-Pole Sisters
1814
George Arthur Fripp Durham Cathedral
George Arthur Fripp, 1813–1896
Durham Cathedral
1846
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
Albert Joseph Moore Study for Battledore and Shuttlecock
Albert Joseph Moore, 1841–1893
Study for Battledore and Shuttlecock
ca. 1871
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
Thomas Gainsborough Wooded Landscape with Country Cart and Figures Walking down a Lane
Thomas Gainsborough, 1727–1788
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Thomas Frye Portrait of a Man Wearing a Turban
Thomas Frye, 1710–1762
Portrait of a Man Wearing a Turban
between 1760 and 1762
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
Richard Cosway Timon of Athens Before His Cave
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
Shaykh Muhammad Amir of Karraya A Bay Racehorse with a Groom
Shaykh Muhammad Amir of Karraya, active 1830s–1840s
A Bay Racehorse with a Groom
ca. 1842
Unknown artist (Company style) Breadfruit Plant (Artocarpus altilis)
Unknown artist (Company style)
Breadfruit Plant (Artocarpus altilis)
ca. 1800
Thomas Sidney Cooper View of Antwerp Cathedral
Thomas Sidney Cooper, 1803–1902
View of Antwerp Cathedral
undated
Robert Brandard Crossing the Brook
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
John Sell Cotman Holt Heath, near Norwich
John Sell Cotman, 1782–1842
Holt Heath, near Norwich
1818
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853