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Materials & Techniques black ink

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1820

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1. The Valley of Vision

The Valley of Vision
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache, brush and brown and black ink, brown and black wash, over graphite on moderately thick, slightly textured, cream wove paper (wrapper for Creswick crayon paper)
Dimensions:
Sheet: 11 1/8 x 17 1/2 inches (28.3 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. An Ancient Barn at Shoreham

An Ancient Barn at Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Cottage among Trees, Shoreham

A Cottage among Trees, Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 7 1/2 inches (27.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Barnard Castle

Barnard Castle
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Elevation for the West Front of the New Quadrangle of Corpus Christi College, Cambridge

Elevation for the West Front of the New Quadrangle of Corpus Christi College, Cambridge
Creator:
William Wilkins, 1778–1839
Date:
ca. 1825
Materials & Techniques:
Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 5/8 × 36 5/8 inches (47.3 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The London-Dover Royal Mail, c. 1830-1840

The London-Dover Royal Mail, c. 1830-1840
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jedburgh Parish Church

Jedburgh Parish Church
Creator:
Thomas Henry Wyatt, 1807–1880
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Preparatory drawing for The Waltz

Preparatory drawing for The Waltz
Creator:
Edward Francis Burney, 1760–1848
Date:
1820s
Materials & Techniques:
Pen and brown ink, red chalk, pen and black ink, brown wash, and graphite, squared for transfer on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Elevation of a Proposed Design for King's College, Cambridge

Elevation of a Proposed Design for King's College, Cambridge
Creator:
William Wilkins, 1778–1839
Date:
ca. 1825
Materials & Techniques:
Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 16 × 39 inches (40.6 × 99.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Elevation of a Proposed Design for King's College, Cambridge

Elevation of a Proposed Design for King's College, Cambridge
Creator:
William Wilkins, 1778–1839
Date:
ca. 1825
Materials & Techniques:
watercolor, pen and black ink on slightly textured, thick, brown wove paper
Dimensions:
Sheet: 11 7/8 × 24 1/8 inches (30.2 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. St. Jacques, Dieppe

St. Jacques, Dieppe
Creator:
Henry William Burgess, active 1809–1860
Date:
1820
Materials & Techniques:
Watercolor, pen and brown ink, black ink, green ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Remains of Purton Hall, Staffordshire

Remains of Purton Hall, Staffordshire
Creator:
Cornelius Varley, 1781–1873
Date:
1820
Materials & Techniques:
Watercolor, graphite, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 21 3/8 inches (37.8 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Design for Grosvenor Bridge, Chester

Design for Grosvenor Bridge, Chester
Creator:
Thomas Harrison, 1744–1829
Date:
ca. 1825
Materials & Techniques:
Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Albany Street, Regents Park

Albany Street, Regents Park
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:
Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

The Convent and Part of the Town of Candelaria, on the south side of Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:
Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Fort Candelaria, Tenerife

Fort Candelaria, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. In Stoke Gardens

No cover image available
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Pen and black ink, gray ink, gray wash, blue wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 9/16 inches (19.1 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Architectural Plans for Edington Church, Wiltshire

No cover image available
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Pen and black ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 10 1/16 inches (17.3 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection