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1. Stoke Poges Church

Stoke Poges Church
Creator:
John Constable, 1776–1837
Date:
1834
Materials & Techniques:
Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1822
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Portico of St. Martin-in-the-Fields

The Portico of St. Martin-in-the-Fields
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1862
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1832
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache and arabic gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 10 5/8 inches (34.8 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Bridge over the Irwell and Entrance into Manchester

Bridge over the Irwell and Entrance into Manchester
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Scene near Shipton on Cherwell, Oxfordshire

Scene near Shipton on Cherwell, Oxfordshire
Creator:
William Turner of Oxford, 1789–1862
Date:
1835
Materials & Techniques:
Watercolor, gouache and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 29 5/8 inches (54.6 x 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Interior of the Belfry, Bushey Church

Interior of the Belfry, Bushey Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1822
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Essex Chantry, Watford Church

The Essex Chantry, Watford Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Aldenham Church

Aldenham Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 7 7/8 inches (16 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. St. Thomas' Church, Winchelsea

St. Thomas' Church, Winchelsea
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Boston Church, Lincolnshire

Boston Church, Lincolnshire
Creator:
J. Harrison, active 1821
Date:
1821
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:
Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of the Church and Village of St. Cue, Cornwall

View of the Church and Village of St. Cue, Cornwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1812
Materials & Techniques:
Watercolor with pen and gray and red brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 10 1/4 inches (17.1 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection