Materials & Techniques: hand coloring and line engraving / Period: 19th century

Print made by Henry Wallis, 1805–1890

The Bank of England and Royal Exchange, Cornhill

1840

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by Remi Parr, active 1723–1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by William Henry Simmons, 1811–1882

The Return (First Class)

1857

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

unknown artist

White Hart, Bishopsgate Street

1800

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Print made by William Henry Simmons, 1811–1882

The Departure (Second Class)

1857

unknown artist

Messrs. Morgan & Sanders, Catherine St. Strand

1809

unknown artist

View of the Bank of England

1822

Print made by Frederick Christian Lewis the Elder, 1779–1856

New Weir on the Wye

1825

Print made by unknown artist

This Celebrated Ewe was Bred and Fed, by Mr. Wilcox

undated

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated