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Materials & Techniques laid paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1811

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Image Use Free to Use

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1. London from Greenwich

London from Greenwich
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Juvenile Tricks

Juvenile Tricks
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (a), scratched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Hindoo Worshipper

The Hindoo Worshipper
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Junction of Severn and Wye

Junction of Severn and Wye
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Windmill and Lock

Windmill and Lock
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 5/8 inches (27.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Juvenile Tricks

Juvenile Tricks
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Building of Waterloo Bridge

The Building of Waterloo Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1816
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations

Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations
Creator:
William Wilkins, 1778–1839
Date:
ca. 1816
Materials & Techniques:
Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/8 × 18 1/2 inches (35.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

Quarries near Ironbridge (Earthworks, Cambridge Terrace)
Creator:
John Linnell, 1792–1882
Date:
ca. 1816
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 19 1/2 inches (33.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Hinton St. George, Somerset: Plan of the East Dining Room

Hinton St. George, Somerset: Plan of the East Dining Room
Creator:
James Wyatt, 1746–1813
Date:
1811
Materials & Techniques:
Graphite and pen and black ink on thick, moderately textured, cream laid paper and masking tape, verso, upper center
Dimensions:
Sheet: 15 1/8 x 21 3/4 inches (38.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Sir Francis Burdett, 5th Baronet

Sir Francis Burdett, 5th Baronet
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 3/8 × 13 1/2 inches (46.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Horses in a Paddock

Horses in a Paddock
Creator:
John Linnell, 1792–1882
Date:
1811
Materials & Techniques:
Watercolor on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 4 1/8 x 5 3/4 inches (10.5 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1816
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Mountainous Landscape with a Bridge and House

Mountainous Landscape with a Bridge and House
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1816
Materials & Techniques:
Black chalk, white gouache, graphite and gray wash on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 9 7/16 × 13 inches (24 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Reverend John Fisher, Bishop of Salisbury

Reverend John Fisher, Bishop of Salisbury
Creator:
Robert Dunkarton, 1744–1811
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 5/8 × 15 inches (52.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Inigo Jones

Inigo Jones
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1811
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 5 1/16 inches (15.6 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View of St. Peters, Rome

View of St. Peters, Rome
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Temple of Apollo Epikourios: Section through the Cella

The Temple of Apollo Epikourios: Section through the Cella
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and brown and gray ink, and brown wash on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Temple of Aphaia at Aegina: Elevation and Partial Section

The Temple of Aphaia at Aegina: Elevation and Partial Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 12 1/2 inches (42.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Percival Frees Belisane from the Spell of Urma

Percival Frees Belisane from the Spell of Urma
Creator:
Henry Fuseli, 1741–1825
Date:
1811
Materials & Techniques:
Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Temple of Apollo Epikourios: Distant View

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Temple of Apollo Epikourios: Distant View

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured cream laid paper
Dimensions:
Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection