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Materials & Techniques wove paper

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Materials & Techniques mezzotint

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Joseph Mallord William Turner Calm
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
Joseph Mallord William Turner Rivaux Abbey, Yorkshire
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Frontispiece
Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece
1812
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Rivaux Abbey, Yorkshire
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
Samuel Cousins Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.
Print made by Samuel Cousins, 1801–1887
Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart
1833
William Say Hagar and Ishmael
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
Sir Frank Short The Mildmay Sea-Piece (on the frontispeice of the "Twelve Subjects" titled Sunset on Beach)
Print made by Sir Frank Short, 1857–1945
The Mildmay Sea-Piece (on the frontispeice of the "Twelve Subjects" titled Sunset on Beach)
1886
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
David Lucas Opening of Waterloo Bridge
Print made by David Lucas, 1802–1881
Opening of Waterloo Bridge
1831
George Dawe Benjamin West, Esqr.
Print made by George Dawe, 1781–1829
Benjamin West, Esqr
1804
Richard Earlom A Study
Print made by Richard Earlom, 1743–1822
A Study
1817
Samuel William Reynolds Dartmouth, on the River Dart
Print made by Samuel William Reynolds, 1773–1835
Dartmouth, on the River Dart
1823 to 1827
Alexander van Haecken In Her Love-Darting Eyes Awakes the Fires
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
Sir Frank Short Shipping at the Entrance of the Medway, No. 2
Print made by Sir Frank Short, 1857–1945
Shipping at the Entrance of the Medway, No. 2
1896
David Lucas Cottage in a Cornfield
Print made by David Lucas, 1802–1881
Cottage in a Cornfield
1844
William Strang Woman Burning Weeds
Print made by William Strang, 1859–1921
Woman Burning Weeds
1889
John Raphael Smith John Philpot Curran
Print made by John Raphael Smith, 1752–1812
John Philpot Curran
1801
John Raphael Smith Right Honorable John Lord Eldon
Print made by John Raphael Smith, 1752–1812
Right Honorable John Lord Eldon
1800
Samuel Cousins Julia, Lady Peel
Print made by Samuel Cousins, 1801–1887
Julia, Lady Peel
1832
Samuel Cousins La Surprise
Print made by Samuel Cousins, 1801–1887
La Surprise
1827
Johann Gerhard Huck Louise von Hartefeld
Print made by Johann Gerhard Huck, ca. 1759–1811
Louise von Hartefeld
undated
Charles Turner The Right Honourable Charles Earl Grey
Charles Turner, 1774–1857
The Right Honourable Charles Earl Grey
1811