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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1820

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Subject Terms man

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Search Results

1. Hampstead Heath

Hampstead Heath
Creator:
John Constable, 1776–1837
Date:
ca. 1825
Materials & Techniques:
Oil on canvas
Dimensions:
18 × 25 1/2 inches (45.7 × 64.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. John Varley

John Varley
Creator:
John Linnell, 1792–1882
Date:
1820
Materials & Techniques:
Oil on panel
Dimensions:
12 5/8 x 10 1/8 inches (32.1 x 25.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Partridge Shooting

Partridge Shooting
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1825
Materials & Techniques:
Oil on panel
Dimensions:
9 x 11 inches (22.9 x 27.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Banks of the Ganges

The Banks of the Ganges
Creator:
Attributed to William Daniell, 1769–1837
Date:
ca. 1825
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 29 inches (63.5 x 73.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Edward Hodges

Edward Hodges
Creator:
Edward Hodges Baily, 1788–1867
Date:
1820
Materials & Techniques:
Marble
Dimensions:
Overall: 23 3/4 x 14 3/4 x 8 1/2 inches (60.3 x 37.5 x 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Study of a Pilgrim

Study of a Pilgrim
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Hampstead Heath

Hampstead Heath
Creator:
John Constable, 1776–1837
Date:
1820
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 3 1/4 x 4 7/8 inches (8.3 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Study for a Destroying Deity

Study for a Destroying Deity
Creator:
William Blake, 1757–1827
Date:
1820 to 1825
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. William Short

William Short
Creator:
John Linnell, 1792–1882
Date:
1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 7 1/4 inches (24.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Part of Balliol College Quadrangle

Part of Balliol College Quadrangle
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1820
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Christ Church from the Meadows

Christ Church from the Meadows
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
between 1820 and 1823
Materials & Techniques:
Line engraving; proof before letters on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Study for the Central Character in Ward's Painting "The Deer Stealer"

A Study for the Central Character in Ward's Painting "The Deer Stealer"
Creator:
James Ward, 1769–1859
Date:
1820
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Holland Estate, St. Thomas in the East, View from the Change of Air House

Holland Estate, St. Thomas in the East, View from the Change of Air House
Creator:
James Hakewill, 1778–1843
Date:
between 1820 and 1821
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Humphry Repton, Esq.

Humphry Repton, Esq.
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Stipple engraving, etching, and line engraving on moderately thick, slightly textured, cream wove paper; page in book
Dimensions:
Sheet: 6 9/16 × 3 3/4 inches (16.6 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Bodmin Moor

Bodmin Moor
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Dr. Syntax Bound to a Tree by Highwaymen

Dr. Syntax Bound to a Tree by Highwaymen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Fitting out. - Plate 1

Fitting out. - Plate 1
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Turin from the Portico of the Superga Church

Turin from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Domfront, Looking to the South East

Domfront, Looking to the South East
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 x 16 1/2 inches (28.3 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection