Creator Gender: male / Date: 1836 / Period: 19th century / Classification: Prints

1. Master Henry Thomas Hope

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1836
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Lady Lyndhurst

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1836
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 15 3/4 inches (49.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

Creator:: George Hunt, active 1820–1840
Date:: 1836
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 12 7/8 x 21 7/8in. (32.7 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Age of Innocence

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1836
Materials & Techniques:: Mezzotint (first state) on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 13/16 × 16 inches (52.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Age of Innocence

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1836
Materials & Techniques:: Mezzotint and etching (proof) on moderately thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 13 7/8 × 10 3/8 inches (35.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Longships Lighthouse, Land's End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof (negative)
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching negative
Dimensions:: Sheet: 10 x 13in. (25.4 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Lyme Regis

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Sea The Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Sea The Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Craigmillar Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 11 5/8 inches (37.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Glen Coe

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Rouen Distant View

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Dunstaffnage

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Calais

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 9 inches (30.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fort Augustus

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Château d'Arc, near Dieppe

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Abbeville

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/8 × 11 3/4 inches (38.4 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Edinburgh from St. Anthony's Chapel

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dunstaffnage

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Château d'Arc, near Dieppe

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 5/8 × 17 inches (27 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Abbeville

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Bally-Burgh Ness

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Mannering, Hazlewood and Smugglers

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Part of the Ghaut at Hurdwar

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Frontispiece for 'Pilgrim's Progress'

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Mussooree and the Dhoon from Landour

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Falls near the Source of Jumna

Creator:: Print made by John Cousen, 1804–1880
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Valley of the Dhoon

Creator:: Print made by W. Floyd, active 1845
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Snowy Range, from Tyne or Marma

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. View near Jubbera

Creator:: Print made by John Cousen, 1804–1880
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Llanthony, Monmouthshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Edinburgh from St. Anthony's Chapel

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 5/8 × 9 3/4 inches (32.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Linlithgow

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 3/8 × 8 5/8 inches (34 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving, first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Craigmillar Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Fort Augustus

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Glen Coe, Scotland

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Rouen - Distant View

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Calais

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Edinburgh - March of the Highlanders

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Mannering, Hazlewood and Smugglers

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Linlithgow

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Wolf's Hope

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Vice Admiral Sir Pulteney Malcolm

Creator:: William James Ward, ca. 1800–1840
Date:: 1836
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 1/2 x 14in. (26.7 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

67. Admiral Sir George Martin

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1836
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 x 15in. (30.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

68. Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)

Creator:: Thomas Barber, ca. 1768–1843
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Grims Thorpe Castle, Linolnshire (published by Fisher Son & Company)(Volume Two)

Creator:: unknown artist
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Flint Castle, North Wales

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Durham Cathedral

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836 to 1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. William Mulready, R. A.

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: after 1836
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 11/16 x 7 1/16 inches (27.1 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Fingal's Cave Staffa

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Austin's Farm at Sapiston Suffolk the Early Residence of Robert Bloomfield

Creator:: Charles John Smith, 1803–1838
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Samuel Johnson

Creator:: Charles Smith, 1749–1824
Date:: 1836
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6in. (22.9 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

83. Samuel Johnson

Creator:: Charles Smith, 1749–1824
Date:: 1836
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6in. (22.9 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

84. James Burton

Creator:: Print made by William Drummond, active 1800–1850
Date:: 1836
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 15 x 11 1/16 inches (38.1 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Set of six with printed wrapper, Plate 6: The Morning Banquet

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings

87. Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithographs
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. To the British Nation

Creator:: Print made by Thomas Sutherland, ca. 1785–1838
Date:: 1836
Materials & Techniques:: Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 26 1/16 x 39 1/4 inches (66.2 x 99.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell