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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
301
- Human Skeleton, Lateral View
- 1795 to 1806
302
- Tiger Skeleton, Lateral View
- 1795 to 1806
303
- Tiger Skeleton, Lateral View
- 1795 to 1806
304
- Tiger Skeleton, Lateral View
- 1795 to 1806
305
- Tiger Skeleton, Lateral View (Probably the master study of the skeleton)
- 1795 to 1806
306
- Tiger Skeleton, Lateral View
- 1795 to 1806
307
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
308
- Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
- 1795 to 1806
309
- Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
- 1795 to 1806
310
- Tiger Body, Lateral View
- 1795 to 1806
311
- Tiger Body, Lateral View
- 1795 to 1806
312
- Tiger Body, Lateral View
- 1795 to 1806
313
- Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
- 1795 to 1806
314
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
315
- Tiger Body, Lateral View
- 1795 to 1806
316
- Tiger Body, Lateral View
- 1795 to 1806
317
- Tiger Body, Standing in Human Posture
- 1795 to 1806
318
- Fowl Skeleton, Lateral View
- 1795 to 1806
319
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
320
- Fowl Skeleton, Lateral View
- 1795 to 1806
321
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
322
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
323
- Fair Scene
- 1733
324
- Grotesque Female Head
- undated
325
- Grotesque Male Head
- undated
326
- Grotesque Female Head
- undated
327
- Grotesque Female Head
- undated
328
- Grotesque Male Head
- undated
329
- The First Stage of Cruelty
- ca. 1750
330
- Grotesque Male Head
- undated
331
- Grotesque Male Head
- undated
332
- Grotesque Male Head
- undated
333
- Grotesque Male Head
- undated
334
- Grotesque Female Head
- undated
335
- Grotesque Male Head
- undated
336
- Grotesque Male Head
- undated
337
- Grotesque Male Head
- undated
338
- Grotesque Female Head
- undated
339
- Grotesque Male Head
- undated
340
- A Midnight Modern Conversation
- 1733
341
- A Rake's Progress, Plate IV: Goes to Court
- 1735
342
- A Rake's Progress, Plate II: His Levee
- 1735
343
- A Rake's Progress, Plate I: He Takes Possession
- 1735
344
- A Rake's Progress, Plate VI: He Gambles
- 1735
345
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
346
- Colombus breaking the Egg
- 1753
347
- The Sleeping Congregation
- 1736
348
- Strolling Actresses Dressing in a Barn
- 1738
349
- Scholars at a Lecture (A Chorus of Singers)
- 1736
350
- The Enraged Musician
- 1741
351
- A Rake's Progress, Plate III: He Revels
- 1735
352
- A Rake's Progress, Plate V: He Marries
- 1735
353
- A Consultation of Physicians
- 1736
354
- The Stage Coach; Or Country Inn Yard
- 1747
355
- The Distrest(ed) Poet
- 1740
356
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
357
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
358
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
359
- Gulielmus Hogarth
- 1749
360
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
361
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
362
- Simon Lord Lovat
- 1746
363
- The Invasion, Plate I: France
- 1756
364
- Analysis of Beauty, Plate II: A Country Dance
- 1753
365
- The Invasion, Plate II: England
- 1756
366
- Chairing the Members, Plate IV
- 1758
367
- The Bench
- 1758
368
- The Cockpit
- 1759
369
- Hogarth Painting the Comic Muse
- 1764
370
- The Laughing Audience
- 1733
371
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
372
- William Hogarth
- 1764
373
- Prospectus print "Crown & Mitre"
- 1754
374
- Southwark Fair
- 1733
375
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
376
- An Election Entertainment, Plate I
- 1755-58
377
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
378
- The Polling, Plate III
- 1758
379
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
380
- The Four Times of Day, Plate I: Morning
- 1738
381
- The Four Times of Day, Plate IV: Night
- 1738
382
- The Four Times of Day, Plate II: Noon
- 1738
383
- Hymen
- ca. 1748
384
- Study of a Female Nude
- undated
385
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
386
- Gabriel Hunt
- undated
387
- Benjamin Read
- ca. 1757
388
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
389
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
390
- Study for the Foundlings
- ca. 1739
391
- Corsica
- between 1830 and 1835
392
- River Wye
- 1812
393
- The Evening Gun
- ca. 1825
394
- Catania, Sicily
- ca. 1825
395
- Ship and Cutter
- 1820 to 1826
396
- Gloucester Cathedral
- 1820 to 1825
397
- Study of Sea and Sky
- 1820 to 1826
398
- Bridge and Monument
- 1820 to 1825
399
- Bridge and Monument
- 1820 to 1825
400
- The Stork and Aqueduct
- between 1813 and 1823